BELLOC-On Nothing & kindred subjets - ON DEATH
Of all the simple actions in the world! Of all the simple actions in
One would think it could be done with less effort than the heaving
of a sigh.... Well--then, one would be wrong.
There is no case of Coming to an End but has about it something of
an effort and a jerk, as though Nature abhorred it, and though it be
true that some achieve a quiet and a perfect end to one thing or
another (as, for instance, to Life), yet this achievement is not
arrived at save through the utmost toil, and consequent upon the
most persevering and exquisite art.
Now you can say that this may be true of sentient things but not of
things inanimate. It is true even of things inanimate.
Look down some straight railway line for a vanishing point to the
perspective: you will never find it. Or try to mark the moment when
a small target becomes invisible. There is no gradation; a moment it
was there, and you missed it--possibly because the Authorities were
not going in for journalism that day, and had not chosen a dead calm
with the light full on the canvas. A moment it was there and then,
as you steamed on, it was gone. The same is true of a lark in the
air. You see it and then you do not see it, you only hear its song.
And the same is true of that song: you hear it and then suddenly you
do not hear it. It is true of a human voice, which is familiar in
your ear, living and inhabiting the rooms of your house. There comes
a day when it ceases altogether--and how positive, how definite and
hard is that Coming to an End.
It does not leave an echo behind it, but a sharp edge of emptiness,
and very often as one sits beside the fire the memory of that voice
suddenly returning gives to the silence about one a personal force,
as it were, of obsession and of control. So much happens when even
one of all our million voices Comes to an End.
It is necessary, it is august and it is reasonable that the great
story of our lives also should be accomplished and should reach a
term: and yet there is something in that hidden duality of ours
which makes the prospect of so natural a conclusion terrible, and it
is the better judgment of mankind and the mature conclusion of
civilisations in their age that there is not only a conclusion here
but something of an adventure also. It may be so.
Those who solace mankind and are the principal benefactors of it, I
mean the poets and the musicians, have attempted always to ease the
prospect of Coming to an End, whether it were the Coming to an End
of the things we love or of that daily habit and conversation which
is our life and is the atmosphere wherein we loved them. Indeed this
is a clear test whereby you may distinguish the great artists from
the mean hucksters and charlatans, that the first approach and
reveal what is dreadful with calm and, as it were, with a purpose to
use it for good while the vulgar catchpenny fellows must liven up
their bad dishes as with a cheap sauce of the horrible, caring
nothing, so that their shrieks sell, whether we are the better for
them or no.
The great poets, I say, bring us easily or grandly to the gate: as
in that Ode to a Nightingale where it is thought good (in an
immortal phrase) to pass painlessly at midnight, or, in the glorious
line which Ronsard uses, like a salute with the sword, hailing "la
The noblest or the most perfect of English elegies leaves, as a sort
of savour after the reading of it, no terror at all nor even too
much regret, but the landscape of England at evening, when the smoke
of the cottages mixes with autumn vapours among the elms; and even
that gloomy modern Ode to the West Wind, unfinished and
touched with despair, though it will speak of--
... that outer place forlorn
Which, like an infinite grey sea, surrounds
With everlasting calm the land of human sounds;
yet also returns to the sacramental earth of one's childhood where
For now the Night completed tells her tale
Of rest and dissolution: gathering round
Her mist in such persuasion that the ground
Of Home consents to falter and grow pale.
And the stars are put out and the trees fail.
Nor anything remains but that which drones
Enormous through the dark....
And again, in another place, where it prays that one may at the last
be fed with beauty---
... as the flowers are fed
That fill their falling-time with generous breath:
Let me attain a natural end of death,
And on the mighty breast, as on a bed,
Lay decently at last a drowsy head,
Content to lapse in somnolence and fade
In dreaming once again the dream of all things made.
The most careful philosophy, the most heavenly music, the best
choice of poetic or prosaic phrase prepare men properly for man's
perpetual loss of this and of that, and introduce us proudly to the
similar and greater business of departure from them all, from
whatever of them all remains at the close.
To be introduced, to be prepared, to be armoured, all these are
excellent things, but there is a question no foresight can answer
nor any comprehension resolve. It is right to gather upon that
question the varied affections or perceptions of varying men.
I knew a man once in the Tourdenoise, a gloomy man, but very rich,
who cared little for the things he knew. This man took no pleasure
in his fruitful orchards and his carefully ploughed fields and his
harvests. He took pleasure in pine trees; he was a man of groves and
of the dark. For him that things should come to an end was but part
of an universal rhythm; a part pleasing to the general harmony, and
making in the music of the world about him a solemn and, oh, a
conclusive chord. This man would study the sky at night and take
from it a larger and a larger draught of infinitude, finding in this
exercise not a mere satisfaction, but an object and goal for the
mind; when he had so wandered for a while under the night he seemed,
for the moment, to have reached the object of his being.
And I knew another man in the Weald who worked with his hands, and
was always kind, and knew his trade well; he smiled when he talked
of scythes, and he could thatch. He could fish also, and he knew
about grafting, and about the seasons of plants, and birds, and the
way of seed. He had a face full of weather, he fatigued his body, he
watched his land. He would not talk much of mysteries, he would
rather hum songs. He loved new friends and old. He had lived with
one wife for fifty years, and he had five children, who were a
policeman, a schoolmistress, a son at home, and two who were
sailors. This man said that what a man did and the life in which he
did it was like the farmwork upon a summer's day. He said one works
a little and rests, and works a little again, and one drinks, and
there is a perpetual talk with those about one. Then (he would say)
the shadows lengthen at evening, the wind falls, the birds get back
home. And as for ourselves, we are sleepy before it is dark.
Then also I knew a third man who lived in a town and was clerical
and did no work, for he had money of his own. This man said that all
we do and the time in which we do it is rather a night than a day.
He said that when we came to an end we vanished, we and our works,
but that we vanished into a broadening light.
Which of these three knew best the nature of man and of his works,
and which knew best of what nature was the end?
* * * * *
Why so glum, my Lad, or my Lass (as the case may be), why so heavy
at heart? Did you not know that you also must Come to an End?
Why, that woman of Etaples who sold such Southern wine for the
dissipation of the Picardian Mist, her time is over and gone and the
wine has been drunk long ago and the singers in her house have
departed, and the wind of the sea moans in and fills their hall. The
Lords who died in Roncesvalles have been dead these thousand years
and more, and the loud song about them grew very faint and dwindled
and is silent now: there is nothing at all remains.
It is certain that the hills decay and that rivers as the dusty
years proceed run feebly and lose themselves at last in desert
sands; and in its aeons the very firmament grows old. But evil also
is perishable and bad men meet their judge. Be comforted.
Now of all endings, of all Comings to an End none is so hesitating
as the ending of a book which the Publisher will have so long and
the writer so short: and the Public (God Bless the Public) will have
whatever it is given.
Books, however much their lingering, books also must Come to an End.
It is abhorrent to their nature as to the life of man. They must be
sharply cut off. Let it be done at once and fixed as by a spell and
the power of a Word; the word
BELLOC-On Nothing & kindred subjets - ON DEATH