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55 In divine things, the same order he preserved throughout, as far as concerns those things which are performed to the gods. For sacred things are performed by men in places and times. These four things I have mentioned he embraced in twelve books, allotting three to each. For he wrote the first three concerning men, the following three concerning places, the third three concerning times, and the fourth three concerning sacred rites,—showing who should perform, where they should perform, when they should perform, what they should perform, with most subtle distinction. But because it was necessary to say—and that especially was expected—to whom they should perform sacred rites, he wrote concerning the gods themselves the last three books; and these five times three made fifteen. But they are in all, as we have said, sixteen. For he put also at the beginning of these one distinct book, speaking by way of introduction of all which follows; which being finished, he proceeded to subdivide the first three in that five-fold distribution which pertain to men, making the first concerning high priests, the second concerning augurs, the third concerning the fifteen men presiding over the sacred ceremonies.8 The second three he made concerning places, speaking in one of them concerning their chapels, in the second concerning their temples, and in the third concerning religious places. The next three which follow these, and pertain to times,—that is, to festival days,—he distributed so as to make one concerning holidays, the other concerning the circus games, and the third concerning scenic plays. Of the fourth three, pertaining to sacred things, he devoted one to consecrations, another to private, the last to public, sacred rites. In the three which remain, the gods themselves follow this pompous train, as it were, for whom all this culture has been expended. In the first book are the certain gods, in the second the uncertain, in the third, and last of all, the chief and select gods.

Chapter 4.—That from the Disputation of Varro, It Follows that the Worshippers of the Gods Regard Human Things as More Ancient Than Divine Things.

In this whole series of most beautiful and most subtle distributions and distinctions, it will most easily appear evident from the things we have said already, and from what is to be said hereafter, to any man who is not, in the obstinacy of his heart, an enemy to himself, that it is vain to seek and to hope for, and even most impudent to wish for eternal life. For these institutions are either the work of men or of demons,—not of those whom they call good demons, but, to speak more plainly, of unclean, and, without controversy, malign spirits, who with wonderful slyness and secretness suggest to the thoughts of the impious, and sometimes openly present to their understandings, noxious opinions, by which the human mind grows more and more foolish, and becomes unable to adapt itself to and abide in the immutable and eternal truth, and seek to confirm these opinions by every kind of fallacious attestation in their power. This very same Varro testifies that he wrote first concerning human things, but afterwards concerning divine things, because the states existed first, and afterward these things were instituted by them. But the true religion was not instituted by any earthly state, but plainly it established the celestial city. It, however, is inspired and taught by the true God, the giver of eternal life to His true worshippers.

The following is the reason Varro gives when he confesses that he had written first concerning human things, and afterwards of divine things, because these divine things were instituted by men:—“As the painter is before the painted tablet, the mason before the edifice, so states are before those things which are instituted by states.” But he says that he would have written first concerning the gods, afterwards concerning men, if he had been writing concerning the whole nature of the gods,—as if he were really writing concerning some portion of, and not all, the nature of the gods; or as if, indeed, some portion of, though not all, the nature of the gods ought not to be put before that of men. How, then, comes it that in those three last books, when he is diligently explaining the certain, uncertain and select gods, he seems to pass over no portion of the nature of the gods? Why, then, does he say, “If we had been writing on the whole nature of the gods, we would first have finished the divine things before we touched the human?” For he either writes concerning the whole nature of the gods, or concerning some portion of it, or concerning no part of it at all. If concerning it all, it is certainly to be put before human things; if concerning some part of it, why should it not, from the very nature of the case, precede human things? Is not even some part of the gods to be preferred to the whole of humanity? But if it is too much to prefer a part of the divine to all human things, that part is certainly worthy to be preferred to the Romans at least. For he writes the books concerning human things, not with reference to the whole world, but only to Rome; which books he says he had properly placed, in the order of writing, before the books on divine things, like a painter before the painted tablet, or a mason before the building, most openly confessing that, as a picture or a structure, even these divine things were instituted by men. There remains only the third supposition, that he is to be understood to have written concerning no divine nature, but that he did not wish to say this openly, but left it to the intelligent to infer; for when one says “not all,” usage understands that to mean “some,” but it may be understood as meaning none, because that which is none is neither all nor some. In fact, as he himself says, if he had been writing concerning all the nature of the gods, its due place would have been before human things in the order of writing. But, as the truth declares, even though Varro is silent, the divine nature should have taken precedence of Roman things, though it were not all, but only some.But it is properly put after, therefore it is none. His arrangement, therefore, was due, not to a desire to give human things priority to divine things, but to his unwillingness to prefer false things to true. For in what he wrote on human things, he followed the history of affairs; but in what he wrote concerning those things which they call divine, what else did he follow but mere conjectures about vain things? This, doubtless, is what, in a subtle manner, he wished to signify; not only writing concerning divine things after the human, but even giving a reason why he did so; for if he had suppressed this, some, perchance, would have defended his doing so in one way, and some in another. But in that very reason he has rendered, he has left nothing for men to conjecture at will, and has sufficiently proved that he preferred men to the institutions of men, not the nature of men to the nature of the gods. Thus he confessed that, in writing the books concerning divine things, he did not write concerning the truth which belongs to nature, but the falseness which belongs to error; which he has elsewhere expressed more openly (as I have mentioned in the fourth book9 ), saying that, had he been founding a new city himself, he would have written according to the order of nature; but as he had only found an old one, he could not but follow its custom.

Chapter 5.—Concerning the Three Kinds of Theology According to Varro, Namely, One Fabulous, the Other Natural, the Third Civil.

Now what are we to say of this proposition of his, namely, that there are three kinds of theology, that is, of the account which is given of the gods; and of these, the one is called mythical, the other physical, and the third civil? Did the Latin usage permit, we should call the kind which he has placed first in order fabular,10 but let us call it fabulous,11 for mythical is derived from the Greek mu`qo", a fable; but that the second should be called natural, the usage of speech now admits; the third he himself has designated in Latin, calling it civil.12 Then he says, “they call that kind mythical which the poets chiefly use; physical, that which the philosophers use; civil, that which the people use. As to the first I have mentioned,” says he, “in it are many fictions, which are contrary to the dignity and nature of the immortals. For we find in it that one god has been born from the head, another from the thigh, another from drops of blood; also, in this we find that gods have stolen, committed adultery, served men; in a word, in this all manner of things are attributed to the gods, such as may befall, not merely any man, but even the most contemptible man.” He certainty, where he could, where he dared, where he thought he could do it with impunity, has manifested, without any of the haziness of ambiguity, how great injury was done to the nature of the gods by lying fables; for he was speaking, not concerning natural theology, not concerning civil, but concerning fabulous theology, which he thought he could freely find fault with.

Let us see, now, what he says concerning the second kind. “The second kind which I have explained,” he says, “is that concerning which philosophers have left many books, in which they treat such questions as these: what gods there are, where they are, of what kind and character they are, since what time they have existed, or if they have existed from eternity; whether they are of fire, as Heraclitus believes; or of number, as Pythagoras; or of atoms, as Epicurus says; and other such things, which men’s ears can more easily hear inside the walls of a school than outside in the Forum.” He finds fault with nothing in this kind of theology which they call physical, and which belongs to philosophers, except that he has related their controversies among themselves, through which there has arisen a multitude of dissentient sects. Nevertheless he has removed this kind from the Forum, that is, from the populace, but he has shut it up in schools. But that first kind, most false and most base, he has not removed from the citizens. Oh, the religious ears of the people, and among them even those of the Romans, that are not able to bear what the philosophers dispute concerning the gods! But when the poets sing and stage-players act such things as are derogatory to the dignity and the nature of the immortals, such as may befall not a man merely, but the most contemptible man, they not only bear, but willingly listen to. Nor is this all, but they even consider that these things please the gods, and that they are propitiated by them.

But some one may say, Let us distinguish these two kinds of theology, the mythical and the physical,—that is, the fabulous and the natural,—from this civil kind about which we are now speaking. Anticipating this, he himself has distinguished them. Let us see now how he explains the civil theology itself. I see, indeed, why it should be distinguished as fabulous, even because it is false, because it is base, because it is unworthy. But to wish to distinguish the natural from the civil, what else is that but to confess that the civil itself is false? For if that be natural, what fault has it that it should be excluded? And if this which is called civil be not natural, what merit has it that it should be admitted? This, in truth, is the cause why he wrote first concerning human things, and afterwards concerning divine things; since in divine things he did not follow nature, but the institution of men. Let us look at this civil theology of his. “The third kind,” says he, “is that which citizens in cities, and especially the priests, ought to know and to administer. From it is to be known what god each one may suitably worship, what sacred rites and sacrifices each one may suitably perform.” Let us still attend to what follows. “The first theology,” he says, “is especially adapted to the theatre, the second to the world, the third to the city.” Who does not see to which he gives the palm? Certainly to the second, which he said above is that of the philosophers. For he testifies that this pertains to the world, than which they think there is nothing better. But those two theologies, the first and the third,—to wit, those of the theatre and of the city,—has he distinguished them or united them? For although we see that the city is in the world, we do not see that it follows that any things belonging to the city pertain to the world. For it is possible that such things may be worshipped and believed in the city, according to false opinions, as have no existence either in the world or out of it. But where is the theatre but in the city? Who instituted the theatre but the state? For what purpose did it constitute it but for scenic plays? And to what class of things do scenic plays belong but to those divine things concerning which these books of Varro’s are written with so much ability?

Chapter 6.—Concerning the Mythic, that Is, the Fabulous, Theology, and the Civil, Against Varro.

O Marcus Varro! thou art the most acute, and without doubt the most learned, but still a man, not God,—now lifted up by the Spirit of God to see and to announce divine things, thou seest, indeed, that divine things are to be separated from human trifles and lies, but thou fearest to offend those most corrupt opinions of the populace, and their customs in public superstitions, which thou thyself, when thou considerest them on all sides, perceivest, and all your literature loudly pronounces to be abhorrent from the nature of the gods, even of such gods as the frailty of the human mind supposes to exist in the elements of this world. What can the most excellent human talent do here? What can human learning, though manifold, avail thee in this perplexity? Thou desirest to worship the natural gods; thou art compelled to worship the civil. Thou hast found some of the gods to be fabulous, on whom thou vomitest forth very freely what thou thinkest, and, whether thou wiliest or not, thou wettest therewith even the civil gods. Thou sayest, forsooth, that the fabulous are adapted to the theatre, the natural to the world, and the civil to the city; though the world is a divine work, but cities and theatres are the works of men, and though the gods who are laughed at in the theatre are not other than those who are adored in the temples; and ye do not exhibit games in honor of other gods than those to whom ye immolate victims. How much more freely and more subtly wouldst thou have decided these hadst thou said that some gods are natural, others established by men; and concerning those who have been so established, the literature of the poets gives one account, and that of the priests another,—both of which are, nevertheless, so friendly the one to the other, through fellowship in falsehood, that they are both pleasing to the demons, to whom the doctrine of the truth is hostile.

That theology, therefore, which they call natural, being put aside for a moment, as it is afterwards to be discussed, we ask if any one is really content to seek a hope for eternal life from poetical, theatrical, scenic gods? Perish the thought! The true God avert so wild and sacrilegious a madness! What, is eternal life to be asked from those gods whom these things pleased, and whom these things propitiate, in which their own crimes are represented? No one, as I think, has arrived at such a pitch of headlong and furious impiety. So then, neither by the fabulous nor by the civil theology does any one obtain eternal life. For the one sows base things concerning the gods by feigning them, the other reaps by cherishing them; the one scatters lies, the other gathers them together; the one pursues divine things with false crimes, the other incorporates among divine things the plays which are made up of these crimes; the one sounds abroad in human songs impious fictions concerning the gods, the other consecrates these for the festivities of the gods themselves; the one sings the misdeeds and crimes of the gods, the other loves them; the one gives forth or feigns, the other either attests the true or delights in the false. Both are base; both are damnable. But the one which is theatrical teaches public abomination, and that one which is of the city adorns itself with that abomination. Shall eternal life be hoped for from these, by which this short and temporal life is polluted? Does the society of wicked men pollute our life if they insinuate themselves into our affections, and win our assent? and does not the society of demons pollute the life, who are worshipped with their own crimes?—if with true crimes, how wicked the demons! if with false, how wicked the worship!

56 When we say these things, it may perchance seem to some one who is very ignorant of these matters that only those things concerning the gods which are sung in the songs of the poets and acted on the stage are unworthy of the divine majesty, and ridiculous, and too detestable to be celebrated, whilst those sacred things which not stage-players but priests perform are pure and free from all unseemliness. Had this been so, never would any one have thought that these theatrical abominations should be celebrated in their honor, never would the gods themselves have ordered them to be performed to them. But men are in nowise ashamed to perform these things in the theatres, because similar things are carried on in the temples. In short, when the fore-mentioned author attempted to distinguish the civil theology from the fabulous and natural, as a sort of third and distinct kind, he wished it to be understood to be rather tempered by both than separated from either. For he says that those things which the poets write are less than the people ought to follow, whilst what the philosophers say is more than it is expedient for the people to pry into. “Which,” says he, “differ in such a way, that nevertheless not a few things from both of them have been taken to the account of the civil theology; wherefore we will indicate what the civil theology has in common with that of the poet, though it ought to be more closely connected with the theology of philosophers.” Civil theology is therefore not quite disconnected from that of the poets. Nevertheless, in another place, concerning the generations of the gods, he says that the people are more inclined toward the poets than toward the physical theologists. For in this place he said what ought to be done; in that other place, what was really done. He said that the latter had written for the sake of utility, but the poets for the sake of amusement. And hence the things from the poets’ writings, which the people ought not to follow, are the crimes of the gods; which, nevertheless, amuse both the people and the gods. For, for amusement’s sake, he says, the poets write, and not for that of utility; nevertheless they write such things as the gods will desire, and the people perform.

Chapter 7.—Concerning the Likeness and Agreement of the Fabulous and Civil Theologies.

That theology, therefore, which is fabulous, theatrical, scenic, and full of all baseness and unseemliness, is taken up into the civil theology; and part of that theology, which in its totality is deservedly judged to be worthy of reprobation and rejection, is pronounced worthy to be cultivated and observed;—not at all an incongruous part, as I have undertaken to show, and one which, being alien to the whole body, was unsuitably attached to and suspended from it, but a part entirely congruous with, and most harmoniously fitted to the rest, as a member of the same body. For what else do those images, forms, ages, sexes, characteristics of the gods show? If the poets have Jupiter with a beard and Mercury beardless, have not the priests the same? Is the Priapus of the priests less obscene than the Priapus of the players? Does he receive the adoration of worshippers in a different form from that in which he moves about the stage for the amusement of spectators? Is not Saturn old and Apollo young in the shrines where their images stand as well as when represented by actors’ masks? Why are Forculus, who presides over doors, and Limentinus, who presides over thresholds and lintels, male gods, and Cardea between them feminine, who presides over hinges. Are not those things found in books on divine things, which grave poets have deemed unworthy of their verses? Does the Diana of · the theatre carry arms, whilst the Diana of the city is simply a virgin? Is the stage Apollo a lyrist, but the Delphic Apollo ignorant of this art? But these things are decent compared with the more shameful things. What was thought of Jupiter himself by those who placed his wet nurse in the Capitol? Did they not bear witness to Euhemerus, who, not with the garrulity of a fable-teller, but with the gravity of an historian who had diligently investigated the matter, wrote that all such gods had been men and mortals? And they who appointed the Epulones as parasites at the table of Jupiter, what else did they wish for but mimic sacred rites. For if any mimic had said that parasites of Jupiter were made use of at his table, he would assuredly have appeared to be seeking to call forth laughter. Varro said it,—not when he was mocking, but when he was commending the gods did he say it. His books on divine, not on human, things testify that he wrote this,—not where he set forth the scenic games, but where he explained the Capitoline laws. In a word, he is conquered, and confesses that, as they made the gods with a human form, so they believed that they are delighted with human pleasures.

For also malign spirits were not so wanting to their own business as not to confirm noxious opinions in the minds of men by converting them into sport. Whence also is that story about the sacristan of Hercules, which says that, having nothing to do, he took to playing at dice as a pastime, throwing them alternately with the one hand for Hercules, with the other for himself, with this understanding, that if he should win, he should from the funds of the temple prepare himself a supper, and hire a mistress; but if Hercules should win the game, he himself should, at his own expense, provide the same for the pleasure of Hercules. Then, when he had been beaten by himself, as though by Hercules, he gave to the god Hercules the supper he owed him, and also the most noble harlot Larentina. But she, having fallen asleep in the temple, dreamed that Hercules had had intercourse with her, and had said to her that she would find her payment with the youth whom she should first meet on leaving the temple, and that she was to believe this to be paid to her by Hercules. And so the first youth that met her on going out was the wealthy Tarutius, who kept her a long time, and when he died left her his heir. She, having obtained a most ample fortune, that she should not seem ungrateful for the divine hire, in her turn made the Roman people her heir, which she thought to be most acceptable to the deities; and, having disappeared, the will was found. By which meritorious conduct they say that she gained divine honors.

Now had these things been reigned by the poets and acted by the mimics, they would without any doubt have been said to pertain to the fabulous theology, and would have been judged worthy to be separated from the dignity of the civil theology. But when these shameful things,—not of the poets, but of the people; not of the mimics, but of the sacred things; not of the theatres, but of the temples, that is, not of the fabulous, but of the civil theology,—are reported by so great an author, not in vain do the actors represent with theatrical art the baseness of the gods, which is so great; but surely in vain do the priests attempt, by rites called sacred, to represent their nobleness of character, which has no existence. There are sacred rites of Juno; and these are celebrated in her beloved island, Samos, where she was given in marriage to Jupiter. There are sacred rites of Ceres, in which Proserpine is sought for, having been carried off by Pluto. There are sacred rites of Venus, in which, her beloved Adonis being slain by a boar’s tooth, the lovely youth is lamented. There are sacred rites of the mother of the gods, in which the beautiful youth Atys, loved by her, and castrated by her through a woman’s jealousy, is deplored by men who have suffered the like calamity, whom they call Galli. Since, then, these things are more unseemly than all scenic abomination, why is it that they strive to separate, as it were, the fabulous fictions of the poet concerning the gods, as, forsooth, pertaining to the theatre, from the civil theology which they wish to belong to the city, as though they were separating from noble and worthy things, things unworthy and base? Wherefore there is more reason to thank the stage-actors, who have spared the eyes of men and have not laid bare by theatrical exhibition all the things which are hid by the walls of the temples. What good is to be thought of their sacred rites which are concealed in darkness, when those which are brought forth into the light are so detestable? And certainly they themselves have seen what they transact in secret through the agency of mutilated and effeminate men. Yet they have not been able to conceal those same men miserably and vile enervated and corrupted. Let them persuade whom they can that they transact anything holy through such men, who, they cannot deny, are numbered, and live among their sacred things. We know not what they transact, but we know through whom they transact; for we know what things are transacted on the stage, where never, even in a chorus of harlots, hath one who is mutilated or an effeminate appeared. And, nevertheless, even these things are acted by vile and infamous characters; for, indeed, they ought not to be acted by men of good character. What, then, are those sacred rites, for the performance of which holiness has chosen such men as not even the obscenity of the stage has admitted?

Chapter 8.—Concerning the Interpretations, Consisting of Natural Explanations, Which the Pagan Teachers Attempt to Show for Their Gods.

But all these things, they say, have certain physical, that is, natural interpretations, showing their natural meaning; as though in this disputation we were seeking physics and not theology, which is the account, not of nature, but of God. For although He who is the true God is God, not by opinion, but by nature, nevertheless all nature is not God; for there is certainly a nature of man, of a beast, of a tree, of a stone,—none of which is God. For if, when the question is concerning the mother of the gods, that from which the whole system of interpretation starts certainly is, that the mother of the gods is the earth, why do we make further inquiry? why do we carry our investigation through all the rest of it? What can more manifestly favor them who say that all those gods were men? For they are earth-born in the sense that the earth is their mother. But in the true theology the earth is the work, not the mother, of God. But in whatever way their sacred rites may be interpreted, and whatever reference they may have to the nature of things, it is not according to nature, but contrary to nature, that men should be effeminates. This disease, this crime, this abomination, has a recognized place among those sacred things, though even depraved men will scarcely be compelled by torments to confess they are guilty of it. Again, if these sacred rites, which are proved to be fouler than scenic abominations, are excused and justified on the ground that they have their own interpretations, by which they are shown to symbolize the nature of things, why are not the poetical things in like manner excused and justified? For many have interpreted even these in like fashion, to such a degree that even that which they say is the most monstrous and most horrible,—namely, that Saturn devoured his own children,—has been interpreted by some of them to mean that length of time, which is signified by the name of Saturn, consumes whatever it begets; or that, as the same Varro thinks, Saturn belongs to seeds which fall back again into the earth from whence they spring. And so one interprets it in one way, and one in another. And the same is to be said of all the rest of this theology.

And, nevertheless, it is called the fabulous theology, and is censured, cast off, rejected, together with all such interpretations belonging to it. And not only by the natural theology, which is that of the philosophers, but also by this civil theology, concerning which we are speaking, which is asserted to pertain to cities and peoples, it is judged worthy of repudiation, because it has invented unworthy things concerning the gods. Of which, I wot, this is the secret: that those most acute ant learned men, by whom those things were written, understood that both theologies ought to be rejected,—to wit, both that fabulous and this civil one,—but the former they dared to reject, the latter they dared not; the former they set forth to be censured, the latter they showed to be very like it; not that it might be chosen to be held in preference to the other, but that it might be understood to be worthy of being rejected together with it. And thus, without danger to those who feared to censure the civil theology, both of them being brought into contempt, that theology which they call natural might find a place in better disposed minds; for the civil and the fabulous are both fabulous and both civil. He who shall wisely inspect the vanities and obscenities of both will find that they are both fabulous; and he who shall direct his attention to the scenic plays pertaining to the fabulous theology in the festivals of the civil gods, and in the divine rites of the cities, will find they are both civil. How, then, can the power of giving eternal life be attributed to any of those gods whose own images and sacred rites convict them of being most like to the fabulous gods, which are most openly reprobated, in forms, ages, sex, characteristics marriages, generations, rites; in all which things they are understood either to have been men, and to have had their sacred rites and solemnities instituted in their honor according to the life or death of each of them, the demons suggesting and confirming this error, or certainly most foul spirits, who, taking advantage of some occasion or other, have stolen into the minds of men to deceive them?

Chapter 9.—Concerning the Special Offices of the Gods.

And as to those very offices of the gods, so meanly and so minutely portioned out, so that they say that they ought to be supplicated, each one according to his special function,—about which we have spoken much already, though not all that is to be said concerning it,—are they not more consistent with mimic buffoonery than divine majesty? If any one should use two nurses for his infant, one of whom should give nothing but food, the other nothing but drink, as these make use of two goddesses for this purpose, Educa and Potina, he should certainly seem to be foolish, and to do in his house a thing worthy of a mimic. They would have Liber to have been named from “liberation,” because through him males at the time of copulation are liberated by the emission of the seed. They also say that Libera (the same in their opinion as Venus) exercises the same function in the case of women, because they say that they also emit seed; and they also say that on this account the same part of the male and of the female is placed in the temple, that of the male to Liber, and that of the female to Libera. To these things they add the women assigned to Liber, and the wine for exciting lust. Thus the Bacchanalia are celebrated with the utmost insanity, with respect to which Varro himself confesses that such things would not be done by the Bacchanals except their minds were highly excited. These things, however, afterwards displeased a saner senate, and it ordered them to be discontinued. Here, at length, they perhaps perceived how much power unclean spirits, when held to be gods, exercise over the minds of men. These things, certainly, were not to be done in the theatres; for there they play, not rave, although to have gods who are delighted with such plays is very like raving.

But what kind of distinction is this which he makes between the religious and the superstitious man, saying that the gods are feared13 by the superstitious man, but are reverenced14 as parents by the religious man, not feared as enemies; and that they are all so good that they will more readily spare those who are impious than hurt one who is innocent? And yet he tells us that three gods are assigned as guardians to a woman after she has been delivered, lest the god Silvanus come in and molest her; and that in order to signify the presence of these protectors, three men go round the house during the night, and first strike the threshold with a hatchet, next with a pestle, and the third time sweep it with a brush, in order that these symbols of agriculture having been exhibited, the god Silvanus might be hindered from entering, because neither are trees cut down or pruned without a hatchet, neither is grain ground without a pestle, nor corn heaped up without a besom. Now from these three things three gods have been named: Intercidona, from the cut15 made by the hatchet; Pilumnus, from the pestle; Diverra, from the besom;—by which guardian gods the woman who has been delivered is preserved against the power of the god Silvanus. Thus the guardianship of kindly-disposed gods would not avail against the malice of a mischievous god, unless they were three to one, and fought against him, as it were, with the opposing emblems of cultivation, who, being an inhabitant of the woods, is rough, horrible, and uncultivated. Is this the innocence of the gods? Is this their concord? Are these the health-giving deities of the cities, more ridiculous than the things which are laughed at in the theatres?

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