CHESTERTON-FOUR FAULLESS - I THE MENACE OF THE WORD


II THE PROCESSION OF THE PLOTTERS

IT has already been explained that Pavonia was governed on enlightened modern principles. That is to say, the King was popular and powerless; the popularly elected Premier was unpopular and moderately powerful; the head of the Secret Police was much more powerful, and the quiet and intelligent little banker, to whom they all owed money, was most powerful of all. But all four of them were moderate in their respective roles; none of them had ever pushed matters to a rupture and all four of them were often in the habit of discussing, at an informal Privy Council, the growing problems of the State.

The King, whose historical title was Clovis the Third, was a lank and rather melancholy man with yellow moustaches and imperial and rather hollow eyes; well-bred enough to make his weariness appear impersonal rather than personal in its application, but not otherwise exciting company. The Prime Minister was short and stout, and very vivacious for his stoutness; though a Pavonian of bourgeois origin he was rather like a French politician, which is by no means the same as being like an ordinary Frenchman. He had pince-nez and a short beard and spoke to individuals in a guarded, but to large crowds in a confidential tone of voice. His name was Valence and he had been considered rather a Radical, until the new revolutionary movement had suddenly revealed him as a rather obstinate capitalist, turning, as it were, his sturdy figure black against the red glare. The Chief of Police was a big, bilious soldier named Grimm, whose yellow face told of fevers in many countries and whose tight mouth told very little of anything. He was the only person present who looked as if he would be in any way formidable in an hour of national peril, and he was always the most pessimistic of the four about his own hopes of dealing with it. The last was a slight, refined little figure with straight, grey hair and a hooked nose rather large for his attenuated features. He was dressed in dark grey so that his streaks of limbs seemed to repeat his streaks of hair, and only when he carefully fitted on a pair of tortoise-shell goggles, did his eyes seem suddenly to stand out and come to life, as if he were a monster who put his eyes on and off like a mask. This was Isidor Simon, the banker, and he had never taken any title though many had been offered to him. The occasion of their special meeting was that the wild and hitherto rather vague movement called the Brotherhood of The Word had suddenly received support from a very unexpected quarter. The poet Sebastian was only a poor Bohemian freelance, of obscure origin and apparently illegitimate birth. Even his surname was doubtful: it was easy for the newspapers to make fun of his real affectations and to underrate his real influence. But when it was actually announced that a man like Professor Phocus had declared himself a friend and follower of the poet, everybody felt that the whole social situation had changed. Phocus was quite another matter; he was the scientific world: the world of colleges and committees. He was a name; he was not indeed very well known personally, being much of a recluse, but his quaint figure with high and narrow top-hat, more like a pipe than a hat, and the green spectacles which he wore to protect his dim eyes from ordinary daylight, was a familiar enough object in certain places, especially the great National Museum, where he not only specialized in certain Palaeo-Pavonian antiquities, but conducted select groups of students round to inspect the relics and sculptures which illustrated that branch of study. He was universally recognized as a man of vast learning and laborious accuracy, and when it was stated in cold print that he, Professor Phocus, had found prophecies concerning The Word in the prehistoric hieroglyphics of Pavonia, only two explanations seemed possible, both equally catastrophic. Either the great Phocus had suddenly gone mad, or there was really something in it.

For some time the banker had succeeded in allaying the fears of the Council, by what might seem a professional, but is in these days a practical argument. A popular poet might set all the crowds in the streets singing his songs, and a learned man of European reputation might induce all the dons in the world to read his book. But the salary of the learned man, for taking the tourists a tour of the hieroglyphics, was a little more than five guineas a week, and the salary of the poet was an unknown quantity that was frequently a minus quantity. You cannot make a modern revolution, or anything modern, without money. It was difficult to see how the poet and the professor managed to pay for the occasional leaflets they circulated or the printing of the poem about The Word; let alone for munitions or commissariat or soldiers' pay or anything that is necessary for the higher purposes of civil war. Mr. Simon, the financial adviser, therefore, had advised the King to disregard the movement until its backing was a little more financial. But to this Council the Chief of Police had brought news which seemed to alter everything.

"Of course," he said in his slow fashion, "I'd often seen the poet going into the pawnbroker's."

"The natural resort of poets, I suppose," said the Prime Minister, and rather missed the schoolgirl giggle with which his joke would have been greeted at a public meeting, for the King's face was blank and sad and the banker's careless and inattentive. No change ever appeared on Grimm's face, even on public platforms, and he went on steadily: "Of course, any number of people go to the pawnbroker's-especially this pawnbroker; he is little Loeb, who calls himself Lobb and lives at the corner of the Old Market, in the poorest part of the town. He's a Jew, of course, but not so much disliked as some Jews of his trade, and such thousands of people do business with him that we were rather led to look into the matter. The result of our inquiries points to the man being quite incredibly rich, all the more because he lives like a poor man. The general belief is that he is a miser."

The banker had put on the goggles that made his eyes look twice as big, and as they peered across the table they were like gimlets.

"He isn't a miser," said Simon, "and if he's a millionaire, then my question is answered."

"Do you know him?" asked the King, speaking for the first time. "Why do you say he isn't a miser?"

"Because no Jew was ever a miser," answered the banker. "Avarice is not a Jewish vice; it's a peasant's vice, a vice of people who want to protect themselves with personal possessions in perpetuity. Greed is the Jewish vice: greed for luxury; greed for vulgarity; greed for gambling; greed for throwing away other people's money and their own on a harem or a theatre or a grand hotel or some harlotry-or possibly on a grand revolution. But not hoarding it. That is the madness of sane men; of men who have a soil."

"How do you know?" asked the King with mild curiosity. "How did you come to make a study of Jews?"

"Only by being one myself," replied the banker.

There was a short silence, and then the King went on with a reassuring smile: "And so you think he may be spending his millions on financing a revolution."

"It would have to be that or a super-cinema or something," assented Simon, "and that would explain the pamphlets and printed songs, and may explain other things yet."

"The most difficult thing to explain," observed the King thoughtfully, "seems to be where any of these people actually are at any given moment. Professor Phocus is fairly regular in his round at the Museum, but I doubt if we any of us know his private address. My niece tells me that she has actually seen Sebastian, the poet, orating in the public streets, but I've never seen him, and nobody I know seems to have any idea of where he lives. And, from what I can gather, though any number of people go to Lobb's pawnshop, very few of them ever see Lobb. I was told he was dead: but that may be part of the plot, of course."

"It is exactly upon that point," said the Chief of Police gravely, "that I have a very important piece of further information to place before Your Majesty. Through a course of long and rather difficult inquiries, I have discovered that Lobb, the pawnbroker, did, about two years, ago, purchase, under another name, a small but comfortable house in Peacock Crescent. I have set some of my men to watch it, and, according to their report, there is every reason to suppose that it is used, not regularly but intermittently, as a meeting-place for three or four persons who arrive very privately and generally after dark, dine there in comfort, but considerable secrecy, and do not appear to revisit it until the next little dinner of the kind. There seems to be no regular staff of servants, and the house is commonly shuttered and deserted, but a servant of one or other of these people generally goes out about an hour before dinner and gets in wine and provisions and presumably remains to wait at table. The tradesmen in the neighbourhood report that he appears to be catering for three or four people, but beyond that they profess to know nothing. The detective, one of my best men, whom I have set to watch the house, says that the guests always arrive about dusk and very much muffled up in cloaks and coats, but he says he could swear to three of them."

"Look here," said the banker after a grave silence, "the fewer people who know about this the better. I think it would be well if one or two of us went down personally, and posted ourselves in that particular street on one of these festive evenings. I don't mind going there myself, if you will give me the protection of your presence, Colonel Grimm. I know the professor and the pawnbroker by sight, and I dare say we might make a guess at the poet."

King Clovis, in a dry and rather reluctant voice, gave the details of the poet's purple and peacock-green appearance, as conveyed to him by his indignant niece.

"Well, that may be a guide, too, sir," said the banker briskly. And that was how it came about that the most powerful financier in Pavonia, and the officer in charge of the whole police system of that country, kicked their heels patiently or impatiently for several hours, a little way beyond the circle of light thrown by the last lamp-post in the silent and deserted Crescent.

Peacock Crescent was so called, not because its pallid and classical facade had ever been brightened by any peacocks, but out of compliment to the bird which was the royal cognizance of Pavonia, and presumably the origin of its name, and which was represented in very flat relief, with tail outspread, on a medallion at one end of the semicircle of houses. Round the whole semicircle there ran a row of classical pillars, in the manner of many terraces in Bath or old Brighton; the whole classic curve looked very cold and marmoreal in the moon which was rising over the clump of trees opposite, and it seemed to the watchers that every sound they made echoed and re-echoed as through a hollow, silver shell.

Their vigil had already been a long one. They had seen, from about the time of twilight and onward, the routine of the preliminaries which the police had already noted as marking the rare re-awakenings of the house; the servant in his sober livery going out at the regular hour and returning with a basket containing bottles of wine and other provisions; the sudden lighting-up of the dark house from within, or rather of the one room in it presumably reserved for the feast; the drawing down of the blind that the feast might be the more private; but none of the guests had as yet arrived. Closer inquiries of the local tradesmen had verified the fact that the servant had been making preparations for four diners; the actual number had slipped out in the course of his curt requests. The two distinguished spies in the street were not, of course, so completely isolated as they seemed. Other secret service men were within hail and the Chief of Police could without much difficulty put the constabulary machinery in action. Immediately in front of the crescent of houses was one of those picturesque but unmeaning scraps of ornamental shrubbery, with a railing round it, which are to be found in many city squares and secluded terraces. This clump of bushes threw a big shadow in the moonlight, and at one corner of the railing there lurked a plain-clothes officer with a motor-cycle, ready to start on any errand.

Suddenly, and in utter stillness, a small shadow seemed to detach itself from the big shadow and seemed to skim across the road as lightly as a dry leaf. Indeed it had something of the look of a dried leaf, for though the figure was not abnormally small, it was curled up as if shrunk or withered; the head was sunk so deep in high shoulders and a shabby waterproof that only a few hairy wisps wandered in the air, that might be beard or whiskers or even, as a wilder fancy prompted, eyebrows; the legs were rather long than otherwise but moving in a bent and crooked fashion like a grasshopper's. His passage across the road was so swift and surprising that the door of the house had opened to him and closed on him again before the watchers had fully recovered from their first surprise. Then Simon looked at Grimm and said, with a faint smile: "The hurry is hospitality. That is the owner of the house."

"Yes, I suppose that is the pawnbroker."

"That is the Revolution," observed the banker. "At least, that is the real basis of every revolution. They could do nothing without his money. They talk about a rising of the poor, but they cannot even rise so long as they are poor. Why, these four men would have nowhere to meet like this, if Lobb had not bought the house for them."

"I should be the last to deny that money is useful," answered Grimm, "but money alone won't make either a revolution or a realm."

"My dear Grimm," said Simon, "I know you are an officer and a gentleman; you can't help that, but really you are becoming romantic."

"Do I look romantic?" asked the bilious officer and gentleman. "No soldier is ever romantic-not about soldiering, anyhow. But what I say is horse-sense, for all that. There is no soldiering without soldiers, and money doesn't make soldiers. You can give a mob a mountain of munitions, and it's no good if they won't use them or can't use them."

"Well, I should say. . . . Look out, here's somebody else."

The other had already become conscious of a dull clang of sound for which he could not immediately account, and the next moment another shadow had passed across the scene of that shadow pantomime. This shadow had a sharply outlined and very high black hat like an elongated chimney-pot, and the moon gleamed for a moment on the green spectacles of Professor Phocus of the National Museum. He also disappeared rapidly into the hospitable house.

"That's the Professor," said Simon. "Perhaps, as he is so learned, he will lecture to them on munitions."

"Yes," replied Grimm, "I saw who it was. . . . But I'm bothered about something else. Did you hear a sort of iron creak and clang just before he appeared? It must have been the gate in that railing over there. I believe they must both have come out of that dingy little garden. What could they be doing there?"

"Nesting in the trees, perhaps; they look queer enough birds for anything," answered the other.

"Well, the railing isn't high," said the police chief at last. "They may simply have clambered in and out again to confuse the scent, but it's rum that my man over there didn't see them."

A long interval followed, and the two companions pacing up and down to pass the time, fell again into their discussion. "What I mean," said Grimm, "is that it's a bad blunder to reckon on material without moral. Money doesn't fight. Men fight. If the time comes when men won't fight, even money won't make them. And somebody has got to teach them how. How are your revolutionary armies going to be drilled? Will Mr. Sebastian drill them to recite poems? Will Mr. Lobb drill them to fill in pawn-tickets?"

"Well," said Simon, making a sign of warning, "here is Mr. Sebastian; so you had better ask him."

This time it was unmistakable that the newcomer threw open the gate of the little garden and crossed the road to the house. For Sebastian of the purple beard and peacock scarf walked with a certain swagger, even when a conspirator apparently alone under the moon; the gate closed behind him with a ringing clash and even the door of the house seemed to open and shut again with a shade of greater pomposity.

"Those are all we know of," said Simon thoughtfully.

"The man said there were four," answered Grimm.

The intervals between these flitting appearances seemed to grow longer and wearier, and as the last was especially extended, the banker, having less of the professional patience of a policeman, began to grow more and more sceptical of the unknown guest, and to express a frank readiness for his own bed. But Grimm remained fixed in his theory of the quadrilateral council, and after a long interval, so long that they almost looked for dawn in the east, they heard the gate move once more and a tall figure approached the house. He was clad in a cape or cloak of grey that looked silvery in the moonshine; and as it fell apart showed a gleam, and almost a blaze, of more brilliant silver; for it seemed to be some sort of white and dazzling uniform, with stars and clasps. Then the man turned his face for a moment upwards to the moon, and the face was the final shock; for it was darker than the glittering garments. Under the moon it looked almost blue, or at least took on those varied tints of grey and violet that are the highlights on the African complexion, and Grimm knew that the man was General Case, the Dictator from beyond the frontier.


III THE PRINCESS INTERVENES

THE moment that Colonel Grimm of the Pavonian Police saw that black face turned like a blue mask to the moon, he knew that the whole machinery of the State must act together like one mantrap to catch one man. He wanted to catch the other three men who were his fellow-conspirators, of course, and he thanked his stars for the chance of catching them all together in one room, but it was the fourth man whose presence made the huge and staggering difference. Before his companion could even speak, or do anything but stare, Grimm had sent his motor-cyclist down the street like a stone from a sling, and knew that police and soldiers were closing round and stopping the mouths of all the streets.

For Grimm had a special score to settle with the great General Case. He had suspected months before that there might be movements on the frontier and attempts of the revolutionary foreign government to make signals to the discontented classes in Pavonia. He had repeatedly pressed diplomatic inquiries and demands through the Prime Minister and other accredited representatives of Pavonian interests, and the answer had always been soothing and had always been the same. General Case gave his word of honour that he had not the faintest intention of meddling with the internal affairs of Pavonia. General Case was a plain soldier and no politician. General Case was getting on in years, and had every intention of retiring from the Presidency and from all public affairs. General Case was seriously ill, and had practically already retired. All these diplomatic reassurances had been dispatched one after another, lulling to a large extent the listless amiability of the King, favourably impressing the fussy self-importance of the Prime Minister, and leaving only a very vague and dying doubt even in the more cynical mind of the Chief of Police. And now this was the sequel, and the secret of what was really going on. This was how the aged and more or less dying African retired into private life. General Case was dangerously ill, but well enough to go out to dinner. By a curious coincidence, he was dining with the three men vowed to destroy the Government with which he professed to be at peace. The Chief of Police ground his teeth and looked down the street eagerly for the two or three files of gendarmes already advancing down it.

It was likely enough that there was little time to lose. The presence of the foreign military leader might mean all sorts of things. It might mean tons of dynamite under the street where they stood; it might at least mean dumps of munitions in every dark corner of the city, accessible to the leaders of the mob. At the worst, there was one thing that might save them yet. And that was the instant, sudden and simultaneous arrest of all the four men in that house, leaving the whole revolution without leaders. Grimm waited till his little troop of armed men had drawn up before the house and then cautiously advanced up the steps to the door. He had already made certain that similar groups were posted behind and on all sides of the row of houses, so that there could be no escape unless there was a subterranean exit. He had even put men with ladders farther along the Crescent, in case there should be a stampede along the roof. Then, after a moment's hesitation, he struck once and heavily upon the door, and the light in the lighted dining-room instantly went out.

For some time there was no other response; then he hammered on the door again, calling out in his strong voice in the King's name and threatening that the door would be forced immediately. Then at last the door was opened by the pale servant in livery, who had evidently received orders to delay the entrance of the police by every exhibition of stupidity and helplessness. With almost inconceivable absence of humour, he said that his master and the company were engaged and could not see any visitors. But Grimm paid no attention to what he guessed to be an order repeated by rote. Without further ceremony he pushed the servant aside, merely saying to his subordinate behind, "Keep hold of this fellow; we may as well bag him with the rest." Then he thrust his way down the dark passage and threw open the door of the dining-room.

It was undoubtedly the dining-room, for it offered a convincing picture of unfinished, or barely finished dinner. Of the four places laid, one at least was occupied by the paraphernalia of coffee, while others seemed to mark various stages of trifling with savouries and sweets. Beside the black coffee was a small and now empty bottle of champagne; opposite to it was a large and half-empty bottle of Burgundy; to the left of that, an even more formidable object, was a large and by no means untouched bottle of brandy, and opposite that, by a sort of meek fantasy of contrast, stood an untasted glass of milk.

Cigars and cigarettes of the best quality were placed on a small side table, so as to be immediately at hand, and there was every sign of a successful dinner-party, which had evidently been luxurious without being altogether conventional. At least, there was every sign of the successful dinner-party except the diners. Their chairs stood about the table, some of them thrust back a little way as if the occupants had risen in a natural and unhurried style; one at least was still drawn up to the table as if the diner was not so easily to be detached from his dinner. But he and all the rest had vanished; suddenly, silently and completely, as the light had vanished from the window with the first blow upon the door.

"Pretty quick work," said the Chief of Police, "but I suppose they're bolting for some other exit. Send the men down to the basement at once, and see that Hart is watching the house at the back. They can't be far off yet; this coffee is still quite hot and I think he was just going to help himself to sugar."

"Who was?" inquired Simon a little hazily. "Do you think they were all here?"

"Obviously they were," replied Grimm. "One doesn't need to be much of a detective to pick out the separate places of all four. Their very plates are like portraits; you can almost see them all sitting there. Look at that glass of milk; you don't suppose that mad poet or that nigger General drink milk, do you? But that's Professor Phocus to the life, if you can call it life. He's one of those dried-up old dyspeptics who talk about nothing but health and get unhealthier every day by doing so. He's full of all sorts of food fads, and must be a most dismal person to dine with. However, the others have fortified themselves pretty well against dismalness. Our romantic Sebastian, who colours everything crimson and purple, even his hair-what else should he drink but Burgundy? But that hard-headed old savage Case has gone one better, you see. Brandy for heroes, as Dr. Johnson said. And yet the last is the most typical of all. How absolutely characteristic of the little Jew to have a little champagne, but very expensive, and to have black coffee, the proper digestive, after it. Ah, he understands health better than the health faddist does! But there's something blood-curdling about these cultured Jews, with their delicate and cautious art of pleasure. Some say it's because they don't believe in a future life."

While he was talking thus, apparently at random, he was thoroughly ransacking the room, leaving to his subordinates the ransacking of the house, and his frown was heavy though his tone was light.

The ransacking of the room could for the present be only superficial, but so far as it went it was hardly hopeful. There were no curtains or cupboards, no bookcases; there was certainly no other door and it was preposterous to suppose that, under the eyes of all the gendarmes, four men could have escaped by the window. Grimm made a preliminary examination of the floor, which seemed quite solid, a sort of concrete, coloured with a dull, wavering pattern of an old-fashioned type. Of course, the four men might have gone out by the door of the room before their servant had opened the door of the house, but even so, it was not easy to say where they had gone to. For indeed the ransacking of the house had proved even more barren than the ransacking of the room; and they were considerably surprised to find that there was so little of the house to ransack. There was no basement; there was only one narrow back door; there was only one other small room, like a smoking-room, at the back of the dining-room and looking through open windows on to the street behind; there was a large and small bedroom of corresponding size on the floor above, and that was all. Grimm was somewhat surprised at this exiguous accommodation, as compared with the aristocratic stateliness of the facade. It sharpened a certain sense of the whole Crescent having something hollow about it; like a stone mask of some cold, classical comedy. Perhaps the moon also made it look a little spectral, but he could not help entertaining for a flash of that pale light the absurd fancy that the street itself had been staged as a part of the plot or comedy, and that it was like a pasteboard palace in a pantomime. His common sense, returning, told him that the imposture was of an older and more ordinary sort, and bore witness only to the normal snobbishness of men who are content with small quarters so long as it is in a fashionable quarter. That row of showy and shallow mansions, with pillars and bow-windows, was probably only a row of men who liked to look richer than they were. Nevertheless, there was something queer about it considered as the headquarters of a vast conspiracy and the meeting-place of the four tribunes of a revolution. There was not much room to store dynamite or dump munitions here, anyhow. But another incongruous fancy flitted across his mind; they might well have been storing an entirely new sort of chemical gas, that made solid human bodies vanish like smoke or turn transparent like glass.

A searching and scientific examination, covering days and weeks, brought them no farther than those first few observations of the first few moments. If there was any crack in the concrete floor, it followed no line or direction that they could discover; if anybody had escaped to anywhere, except into the bowels of the earth, he must have done it under a hundred staring eyes and the staring moon. The giant man-trap had closed with the most scientific precision and perfection; only the trap was empty. It was with this gloomy and even alarmist news that the Chief of Police and the financier, playing the amateur detective, went back to report to the Prime Minister and the King.

Despite the swiftness with which Colonel Grimm had darted out of the rear of the house after the fugitives, he was brought up all standing at the corner of the next street, by an exhibition that affected him like an explosion. The whole of the blank wall was plastered with new placards; so new that they might almost have been put there since the raid on the house; conceivably even flung behind as a last gesture of insolence by the runaway rebels, like the paper scattered by the hares in a paper-chase. He put one finger to the paper-covered wall and found the paste on it still wet.

But it was the proclamations themselves that were most arresting. They were mostly scrawled in red paint or ink, which had even run here and there, perhaps with a melodramatic suggestion of blood. They all began with the word "Now" in gigantic letters, followed by the assertion "The Word will be spoken to-night". The brief paragraphs that followed were to the effect that all was now ready for the blow at the Government which had failed in its last desperate effort to capture the men who would tomorrow be the rulers of the city. It was notable that the people were adjured especially to "Look to the Frontiers" and it was not only implied that the mysterious "Word" was now to be spoken, but hinted that the thick and thunderous lips of the sinister African would speak it.

Passing up the Poplar Avenue towards the red-brick Georgian palace, they found the King of Pavonia in another room, in another suit of clothes and in another frame of mind. He was no longer in uniform, but in a light-grey lounge suit and very obviously lounging. King Clovis was a paradox in many ways; he hated formality and yet he was very formal, on formal occasions; in spite of the paradox, we might say that he hated formal occasions because they made him very formal. But in this more comfortable apartment, with tea-things on the table, he was in the bosom of his family, so far as the presence of a niece sitting on a sofa and staring out of a window constituted a bosom in the traditional sense. The Princess, whom the works of reference called Aurelia and whom her uncle called Mary, was rather distrait and silent, but the King had no objection to silence. The Prime Minister was not present; he always imparted a nameless nuance of fussiness, and the King had a great objection to fuss.

The Chief of Police told the story of his dramatic disappointment and the King listened to it with mild wonder but without any appearance of irritation.

"I suppose," he said, "that if that old Jew really bought the house specially for them, he must have fixed up some sort of trick in it."

"So I had supposed, sir," assented Grimm. "But we cannot as yet come on the faintest trace of the trick. And I can't help being a little troubled about what these four rascals may be doing. Their proclamations make it quite plain that they are preparing a big move."

"If you can't catch them," put in Simon, "can't you arrest anybody else? Surely the Party must have some other leaders."

The Chief of Police shook his head. "That is the queerest thing about it," he said. "This is the most extraordinary movement I ever heard of, in the way in which it is disciplined and organized and, above all, silenced. There must be hundreds of them in it, but to hear them talk, or rather decline to talk, you would think there was nobody in it. It's called the Brotherhood of The Word, but it seems to me more like the Brotherhood of The Silence. They all stare you blindly in the face, and smile, or say a word about the weather, and there's no catching them by any cross-examination. That's evidently the policy of the whole business. The crowd is more invisible than the conspirators, so to speak. Only these four famous conspirators are paraded before us. Their private meetings are comparatively public, but the mind of the mob is still private and it melts at a touch. We can convict nobody but these four, and the only people we can convict are the only people we can't catch."

"Then we have actually nobody in custody," said Simon.

Grimm made a wry face. "We hung on to one stupid footman who opened the door to us," he said. "Not a very glorious bag to boast of when you are out gunning for General Case."

"We must be thankful for small things," said the King. "What does the stupid footman say?"

"He doesn't say anything. It's possible he doesn't know anything. Indeed I think it's more than possible that the man is too stupid to know anything, a big lump of a fellow, probably chosen for his long legs; they say people choose flunkeys for their calves. Or he may have some dull idea of being loyal to his master."

The Princess turned her head for the first time and said: "Has anybody suggested the rather brighter idea of being loyal to his King?"

"I'm afraid," said Clovis, in a nervous and uneasy manner, "that the time has gone by for cavaliers and gallant courtiers, Mary. You can't solve modern political problems by telling people to be loyal to the King."

"Why do they tell them to be loyal to everything else except the King?" asked the young lady, with some warmth. "When there's a strike or something at the soap works, your newspaper tells them to be loyal to the soap-boilers, who are accused of being sweaters. The journalists tell them to be loyal to their Party and to their Trusted Leaders and all the rest. But if I talk of a leader who isn't a Party Leader, who's at least supposed to stand for the whole nation and all patriotic people, then you tell me I'm old-fashioned. Or else you tell me I'm young. It seems to be considered the same thing."

His Majesty the King of Pavonia stared at his niece with a sort of vague alarm, as if a kitten had turned into a tiger-cat on the hearth-rug. But she went on like one who is resolved to release an accumulation of impatience.

"Why must the King be the only private gentleman in Pavonia? All the others are extremely public gentlemen or public parodies of gentlemen. Why may any man talk to the mob except ourselves? Do you know what I really felt when I saw that purple-whiskered poet posturing on a table in the street? Of course, to start with, I had a sense of something horribly artificial; he was like some painted and gilded doll or mummy dancing. But what annoyed me most was that peacock-coloured scarf flapping round his neck, and making me remember the old peacock flag of the Pavonians, and how they say that the peacock fans were carried before the King even in battle. What business has he got to wear such colours, if we mayn't? We have got to be dull and genteel and die of good taste behind the drawn blinds of the palace. But the conspirators may be flamboyant. The republicans may be royal. That's why they appeal to the people; because they do exactly what kings used to do, when kings had any sense. Your papers and politicians talk about the dreadful growth of Red propaganda and wonder how it can be popular. Why, because it's Red, of course. Kings and cardinals and peers and judges used to be Red, when we weren't ashamed of having a little colour in our lives."

The constitutional monarch seemed more and more embarrassed. "Perhaps," he said, "we have wandered a little from the point. It was a small point we were mentioning at the moment, about the questioning of the footman and--"

"I have every intention of sticking to the point," said the Princess firmly. "I have every intention of sticking to the footman, too, and preventing any fool from letting him go. Don't you see he is just the sort of thing I mean? All the nonsense they talk against patriotism and militarism has just let the ordinary poor man slide and sink to be the servant of any rascally adventurer. He is put into a livery to be loyal to a conspirator, because we were afraid to put him into a uniform and ask him to be loyal to a king."

"Personally," said Grimm, "I have a great deal of sympathy with Your Royal Highness's view. But I'm afraid it's too late to do that now."

"How do you know?" demanded the lady with some heat. "Have you ever put the real point to a man like that? Have you ever asked him what he feels about his loyalties and his country and the king he heard about when he was a child? Not you; you've just badgered him like a barrister about details of time and place that no healthy human being ever remembers, and he's reduced to looking like the village idiot, and I don't wonder. I should like to talk to him myself."

"My dear Mary-- " began her uncle, now thrown thoroughly into disarray, and at the same moment he caught sight of the face that flashed on him over her shoulder, and his voice seemed to die away. Mr. Simon, the banker, had also begun to talk, after a tactful cough, and was saying: "If Your Royal Highness will allow me to say so, we ought surely to preserve a sense of proportion. The footman is only a common fellow and, I imagine, quite illiterate; in that sense, as Her Royal Highness says, a man of the people-but only one man out of a very large people. As an experiment in social science, it might be very interesting to try these theories upon him, but he is only a sample of the social material all round. Meanwhile, we should surely lose no time in concentrating on the really great and dangerous public characters whom we are pursuing. The Professor is a man of world-wide reputation; the General is a military hero at the head of armies, and really to stand quarrelling over the ignorance of a chance lackey--"

As he spoke he found himself wavering between the door and the advancing Princess, and in his throat also the words seemed to dry up. For both men had suddenly seen the face of something that is intolerant and innocent and not altogether of this world; the completeness of that conviction in youth that as yet cannot believe in the complexity of living, and they fell back before her as the great princess demanded audience with a flunkey, as if there were something in her of that great peasant girl from Domremy when she demanded audience of a King.


CHESTERTON-FOUR FAULLESS - I THE MENACE OF THE WORD