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THE WAY TO FAIRYLAND



A child of four years old, having read of Fairyland and of the people in

it, asked only two days ago, in a very popular attitude of doubt, whether

there were any such place, and, if so, where it was; for she believed in

her heart that the whole thing was a pack of lies.

I was happy to be able to tell her that her scepticism, though well

founded, was extreme. The existence of Fairyland, I was able to point out

to her both by documentary evidence from books and also by calling in the

testimony of the aged, could not be doubted by any reasonable person. What

was really difficult was the way to get there. Indeed, so obviously true

was the existence of Fairyland, that every one in this world set out to go

there as a matter of course, but so difficult was it to find the way that

very few reached the place. Upon this the child very naturally asked me

what sort of way the way was and why it was so difficult.

"You must first understand," said I, "where Fairyland is: it lies a little

way farther than the farthest hill you can see. It lies, in fact, just

beyond that hill. The frontiers of it are sometimes a little doubtful in

any landscape, because the landscape is confused, but if on the extreme

limits of the horizon you see a long line of hills bounding your view

exactly, then you may be perfectly certain that on the other side of those

hills is Fairyland. There are times of the day and of the weather when the

sky over Fairyland can be clearly perceived, for it has a different colour

from any other kind of sky. That is where Fairyland is. It is not on an

island, as some have pretended, still less is it under the earth--a

ridiculous story, for there it is all dark."

"But how do you get there?" asked the child. "Do you get there by walking

to the hills and going over?"

"No," said I, "that is just the bother of it. Several people have thought

that that was the way of getting there; in fact, it looked plain common

sense, but there is a trick about it; when you get to the hills everything

changes, because the fairies have that power: the hills become ordinary,

the people living on them turn into people just like you and me, and then

when you get to the top of the hills, before you can say knife another

common country just like ours has been stuck on the other side. On this

account, through the power of the fairies, who hate particularly to be

disturbed, no one can reach Fairyland in so simple a way as by walking

towards it."

"Then," said the child to me, "I don't see how any one can get there"--for

this child had good brains and common sense.

"But," said I, "you must have read in stories of people who get to

Fairyland, and I think you will notice that in the stories written by

people who know anything about it (and you know how easily these are

distinguished from the others) there are always two ways of getting to

Fairyland, and only two: one is by mistake, and the other is by a spell.

In the first way to Fairyland is to lose your way, and this is one of the

best ways of getting there; but it is dangerous, because if you get there

that way you offend the fairies. It is better to get there by a spell.

But the inconvenience of that is that you are blindfolded so as not to be

allowed to remember the way there or back again. When you get there by a

spell, one of the people from Fairyland takes you in charge. They prefer

to do it when you are asleep, but they are quite game to do it at other

times if they think it worth their while.

"Why do they do it?" said the child.

"They do it," said I, "because it annoys the fairies very much to think

that people are stopping believing in them. They are very proud people,

and think a lot of themselves. They can, if they like, do us good, and

they think us ungrateful when we forget about them. Sometimes in the past

people have gone on forgetting about fairies more and more and more,

until at last they have stopped believing in them altogether. The fairies

meanwhile have been looking after their own affairs, and it is their fault

more than ours when we forget about them. But when this has gone on for

too long a time the fairies wake up and find out by a way they have that

men have stopped believing in them, and get very much annoyed. Then some

fairy proposes that a map of the way to Fairyland should be drawn up and

given to the people; but this is always voted down; and at last they make

up their minds to wake people up to Fairyland by going and visiting this

world, and by spells bringing several people into their kingdom and so

getting witnesses. For, as you can imagine, it is a most unpleasant thing

to be really important and for other people not to know it."

"Yes," said the child, who had had this unpleasant experience, and greatly

sympathized with the fairies when I explained how much they disliked it.

Then the child asked me again:

"Why do the fairies let us forget about them?"

"It is," said I, "because they get so excited about their own affairs.

Rather more than a hundred years ago, for instance, a war broke out in

Fairyland because the King of the Fairies, whose name is Oberon, and the

Queen of the Fairies, whose name is Titania, had asked the Trolls to

dinner. The Gnomes were very much annoyed at this, and the Elves still

more so, for the chief glory of the Elves was that being elfish got you to

know people; and it was universally admitted that the Trolls ought never

to be asked out, because they were trollish. King Oberon said that all

that was a wicked prejudice, and that the Trolls ought to be asked out to

dinner just as much as the Elves, in common justice. But his real reason

was that he was bored by the perpetual elfishness of the Elves, and wanted

to see the great ugly Trolls trying to behave like gentlemen for a change.

So the Trolls came and tied their napkins round their necks, and ate such

enormous quantities at dinner that King Oberon and his Queen almost died

of laughing. The Elves were frightfully jealous, and so the war began. And

while it was going on everybody in Earthland forgot more and more about

Fairyland, until at last some people went so far as to say, like you, that

Fairyland did not exist."

"I did not say so," said the child, "I only asked."

"But," I answered severely, "asking about such things is the beginning of

doubting them. Anyhow, the fairies woke up one fine day about the time

when your great-grandfather got married, to discover that they were not

believed in, so they patched up their quarrel and they sent fairies to

cast spells, and any amount of people began to be taken to Fairyland,

until at last every one was forced to believe their evidence and to say

that Fairyland existed."

"Were they glad?" said the child.

"Who?" said I; "the witnesses who were thus taken away and shown

Fairyland?"

"Yes," said the child. "They ought to have been glad."

"Well, they weren't!" said I. "They were as sick as dogs. Not one

of them but got into some dreadful trouble. From one his wife ran away,

another starved to death, a third killed himself, a fourth was drowned

and then burned upon the seashore, a fifth went mad (and so did several

others), and as for poverty, and all the misfortunes that go with it, it

simply rained upon the people who had been to Fairyland."

"Why?" said the child, greatly troubled.

"Ah!" said I, "that is what none of us know, but so it is, if they take

you to Fairyland you are in for a very bad business indeed. There is only

one way out of it."

"And what is that?" said the child, interested.

"Washing," said I, "washing in cold water. It has been proved over and

over again."

"Then," said the child happily, "they can take me to Fairyland as often as

they like, and I shall not be the worse for it, for I am washed in cold

water every day. What about the other way to Fairyland?"

"Oh that," said I, "that, I think, is much the best way; I've gone

there myself."

"Have you really?" said the child, now intensely interested. "That

is good! How often have you been there?"

"Oh I can't tell you," I said carelessly, "but at least eight times, and

perhaps more, and the dodge is, as I told you, to lose your way; only the

great trouble is that no one can lose his way on purpose. At first I used

to think that one had to follow signs. There was an omnibus going down the

King's Road which had 'To the World's End' painted on it. I got into this

one day, and after I had gone some miles I said to the man, 'When do we

get to the World's End?' 'Oh,' said he, 'you have passed it long ago,' and

he rang a little bell to make me get out. So it was a fraud. Another time

I saw another omnibus with the words, 'To the Monster,' and I got into

that, but I heard that it was only a sort of joke, and that though the

Monster was there all right, he was not in Fairyland. This omnibus went

through a very uninteresting part of London, and Fairyland was nowhere in

the neighbourhood. Another time in the country of France I came upon a

printed placard which said: 'The excursion will pass by the Seven Winds,

the Foolish Heath, and St. Martin under Heaven.' This time also I thought

I had got it, but when I looked at the date on the placard I saw that the

excursion had started several days before, so I missed it again. Another

time up in Scotland I saw a signpost on which there was, 'To the King's

House seven miles.' And some one had written underneath in pencil: 'And

to the Dragon's Cave eleven.' But nothing came of it. It was a false

lane. After that I gave up believing that one could get to Fairyland by

signposts or omnibuses, until one day, quite by mistake, I chanced on the

dodge of losing one's way."

"How is that done?" said the child.

"That is what no one can tell you," said I. "If people knew how it was

done everybody would do it, but the whole point of losing your way is that

you do it by mistake. You must be quite certain that you have not lost

your way or it is no good. You walk along, and you walk along, and you

wonder how long it will be before you get to the town, and then instead of

getting to the town at all, there you are in Fairyland."

"How do you know that you are in Fairyland?" said the little child.

"It depends how far you get in," said I. "If you get in far enough trees

and rocks change into men, rivers talk, and voices of people whom you

cannot see tell you all sorts of things in loud and clear tones close to

your ear. But if you only get a little way inside then you know that you

are there by a sort of wonderment. The things ought to be like the things

you see every day, but they are a little different, notably the trees.

It happened to me once in a town called Lanchester. A part of that

town (though no one would think of it to look at it) happens to be in

Fairyland. And there I was received by three fairies, who gave me supper

in an inn. And it happened to me once in the mountains and once it

happened to me at sea. I lost my way and came upon a beach which was in

Fairyland. Another time it happened to me between Goodwood and Upwaltham

in Sussex."

At this moment the child's nurse came in to take it away, so she came to

the point:

"How did you know you were in Fairyland?' she said doubtfully." Perhaps

you are making all this up."

"Nonsense!" I said reprovingly, "the only people who make things up are

little children, for they always tell lies. Grown-up people never tell

lies. Let me tell you that one always knows when one has been in Fairyland

by the feeling afterwards, and because it is impossible to find it again."

The child said, "Very well, I will believe you," but I could see from the

expression of her eyes that she was not wholly convinced, and that in the

bottom of her heart she does not believe there is any such place. She

will, however, if she can hang on another forty years, and then I shall

have my revenge.








THE PORTRAIT OF A CHILD



In a garden which must, I think, lie somewhat apart and enclosed in one

of the valleys of central England, you came across the English grass in

summer beneath the shade of a tree; you were running, but your arms were

stretched before you in a sort of dance and balance as though you rather

belonged to the air and to the growing things about you and above you than

to the earth over which you passed; and you were not three years old.

As, in jest, this charming vision was recorded by a camera which some

guest had with him, a happy accident (designed, for all we know, by

whatever powers arrange such things, an accident of the instrument or of

the plate upon which your small, happy, advancing figure was recorded) so

chanced that your figure, when the picture was printed, shone all around

with light.

I cannot, as I look at it now before me and as I write these words,

express, however much I may seek for expression, how great a meaning

underlies that accident nor how full of fate and of reason and of

suggested truth that aureole grows as I gaze. Your innocence is beatified

by it, and takes on with majesty the glory which lies behind all

innocence, but which our eyes can never see. Your happiness seems in that

mist of light to be removed and permanent; the common world in which you

are moving passes, through this trick of the lens, into a stronger world

more apt for such a sight, and one in which I am half persuaded (as I

still look upon the picture) blessedness is not a rare adventure, but

something native and secure.

Little child, the trick which the camera has played means more and more as

I still watch your picture, for there is present in that light not only

blessedness, but holiness as well. The lightness of your movement and of

your poise (as though you were blown like a blossom along the tops of the

grass) is shone through, and your face, especially its ready and wondering

laughter, is inspired, as though the Light had filled it from within;

so that, looking thus, I look not on, but through. I say that in this

portrait which I treasure there is not only blessedness, but holiness as

well--holiness which is the cause of blessedness and which contains it,

and by which secretly all this world is sustained.

Now there is a third thing in your portrait, little child. That accident

of light, light all about you and shining through your face, is not only

blessed nor only holy, but it is also sacred, and with that thought there

returns to me as I look what always should return to man if he is to find

any stuff or profit in his consideration of divine things. In blessedness

there is joy for which here we are not made, so that we catch it only

in glimpses or in adumbrations. And in holiness, when we perceive it we

perceive something far off; it is that from which we came and to which

we should return; yet holiness is not a human thing. But things sacred--

things devoted to a purpose, things about which there lies an awful

necessity of sacrifice, things devoted and necessarily suffering some

doom--these are certainly of this world; that, indeed, all men know well

at last, and find it part of the business through which they needs must

pass. Human memories, since they are only memories; human attachments,

since they are offered up and end; great human fears and hopeless human

longings--these are sacred things attached to a victim and to a sacrifice;

and in this picture of yours, with the light so glorifying you all round,

no one can doubt who sees it but that the sacredness of human life will be

yours also; that is, you must learn how it is offered up to some end and

what a sacrifice is there.

I could wish, as I consider this, that the camera had played no such

trick, and had not revealed in that haze of awful meaning all that lies

beyond the nature of you, child. But it is a truth which is so revealed;

and we may not, upon a penalty more terrible than death, neglect any

ultimate truth concerning our mortal way.

Your feet, which now do not seem to press upon the lawn across which they

run, have to go more miles than you can dream of, through more places than

you could bear to hear, and they must be directed to a goal which will not

in your very young delight be mentioned before you, or of which, if it is

mentioned, you will not understand by name; and your little hands which

you bear before you with the little gesture of flying things, will grasp

most tightly that which can least remain and will attempt to fashion what

can never be completed, and will caress that which will not respond to

the caress. Your eyes, which are now so principally filled with innocence

that that bright quality drowns all the rest, will look upon so much of

deadly suffering and of misuse in men, that they will very early change

themselves in kind; and all your face, which now vaguely remembers nothing

but the early vision from which childhood proceeds, will grow drawn and

self-guarded, and will suffer some agonies, a few despairs, innumerable

fatigues, until it has become the face of a woman grown. Nor will this

sacred doom about you, which is that of all mankind, cease or grow less

or be mitigated in any way; it will increase as surely and as steadily

as increase the number of the years, until at last you will lay down the

daylight and the knowledge of day-lit things as gladly as now you wake

from sleep to see them.

For you are sacred, and all those elders about you, whose solemn demeanour

now and then startles you into a pretty perplexity which soon calls back

their smiles, have hearts only quite different from your quite careless

heart, because they have known the things to which, in the manner of

victims, they are consecrated.

All that by which we painfully may earn rectitude and a proper balance in

the conduct of our short affairs I must believe that you will practise;

and I must believe, as I look here into your face, seeing your confident

advance (as though you were flying out from your babyhood into young life

without any fear), that the virtues which now surround you in a crowd and

make a sort of court for you and are your angels every way, will go along

with you and will stand by you to the end. Even so, and the more so, you

will find (if you read this some years hence) how truly it is written. By

contrast with your demeanour, with your immortal hopes, and with your

pious efforts the world about you will seem darker and less secure with

every passing harvest, and in proportion as you remember the childhood

which has led me so to write of you, in proportion as you remember

gladness and innocence with its completed joy, in that proportion will

you find at least a breaking burden in the weight of this world.

Now you may say to me, little child (not now, but later on), to what

purpose is all this complaint, and why should you tell me these things?

It is because in the portrait before me the holiness, the blessedness, and

therefore the sacredness are apparent that I am writing as I do. For you

must know that there is a false way out and a seeming relief for the rack

of human affairs, and that this way is taken by many. Since you are sacred

do not take it, but bear the burden. It is the character of whatever is

sacred that it does not take that way; but, like a true victim, remains

to the end, ready to complete the sacrifice.

The way out is to forget that one is sacred, and this men and women do in

many ways. The most of them by way of treason. They betray. They break at

first uneasily, later easily, and at last unconsciously, the word which

each of us has passed before He was born in Paradise. All men and all

women are conscious of that word, for though their lips cannot frame it

here, and though the terms of the pledge are forgotten, the memory of its

obligation fills the mind. But there comes a day, and that soon in the

lives of many, when to break it once is to be much refreshed and to seem

to drop the burden; and in the second and the third time it is done, and

the fourth it is done more easily--until at last there is no more need

for a man or a woman to break that pledged word again and once again; it

is broken for good and for all. This is one most common way in which the

sacred quality is lost: the way of treason. Round about such as choose

this kind of relief grows a habit and an air of treason. They betray all

things at last, and even common friendship is at last no longer theirs.

The end of this false issue is despair.

Another way is to take refuge from ourselves in pleasures, and this is

easily done, not by the worse, but by the better sort; for there are some,

some few, who would never betray nor break their ancient word, but who,

seeing no meaning in a sacrifice nor in a burden, escape from it through

pleasure as through a drug, and this pleasure they find in all manner of

things, and always that spirit near them which would destroy their sacred

mark, persuades them that they are right, and that in such pursuits the

sacrifice is evaded. So some will steep themselves in rhyme, some in

landscapes, some in pictures, some in the watching of the complexity and

change of things, some in music, some in action, some in mere ease. It

seems as though the men and women who would thus forget their sacredness

are better loved and better warned than those who take the other path, for

they never forget certain gracious things which should be proper to the

mind, nor do they lose their friends. But that they have taken a wrong

path you may easily perceive from this sign: that these pleasures, like

any other drug, do not feed or satisfy, but must be increased with every

dose, and even so soon pall and are continued not because they are

pleasures any longer, but because, dull though they have become, without

them there is active pain.

Take neither the one path nor the other, but retain, I beseech you, when

the time comes, that quality of sacredness of which I speak, for there

is no alternative. Some trouble fell upon our race, and all of us must

take upon ourselves the business and the burden. If you will attempt any

way out at all it will but lead you to some worse thing. We have not all

choices before us, but only one of very few, and each of those few choices

is mortal, and all but one is evil.

You should remember this also, dear little child, that at the beginning--

oh, only at the very beginning of life--even your reason that God gave

may lead you wrong. For with those memories strong upon you of perfect

will, of clear intelligence, and of harmonious beauty all about, you will

believe the world in which you stand to be the world from which you have

come and to which you are also destined. You have but to treat this world

for but a very little while as though it were the thing you think it to

find it is not so.

Do you know that that which smells most strongly in this life of

immortality, and which a poet has called "the ultimate outpost of

eternity," is insecure and perishes? I mean the passionate affection of

early youth. If that does not remain, what then do you think can remain?

I tell you that nothing which you take to be permanent round about you

when you are very young is more than the symbol or clothes of permanence.

Another poet has written, speaking of the chalk hills:--

Only a little while remain

The Downs in their solemnity.

Nor is this saying forced. Men and women cannot attach themselves even to

the hills where they first played.

Some men, wise but unillumined, and not conscious of that light which I

here physically see shining all round and through you in the picture which

is before my eyes as I write, have said that to die young and to end the

business early was a great blessing. We do not know. But we do know that

to die long after and to have gone through the business must be blessed,

since blessedness and holiness and sacredness are bound together in one.

But, of these three, be certain that sacredness is your chief business,

blessedness after your first childhood you will never know, and holiness

you may only see as men see distant mountains lifted beyond a plain; it

cannot be your habitation. Sacredness, which is the mark of that purpose

whose heir is blessedness, whose end is holiness, will be upon you until

you die; maintain it, and let it be your chief concern, for though you

neglect it, it will remain and avenge itself.

All this I have seen in your picture as you go across the grass, and it

was an accident of the camera that did it. If any one shall say these

things do not attach to the portrait of a child, let him ask himself

whether they do not attach to the portrait that might be drawn, did human

skill suffice, of the life of a woman or a man which springs from the

demeanour of childhood; or let him ask himself whether, if a face in old

age and that same face in childhood were equally and as by a revelation

set down each in its full truth, and the growth of the one into the other

were interpreted by a profound intelligence, what I have said would not

be true of all that little passage of ours through the daylight.








ON EXPERIENCE



There are three phases in the life of man, so far as his thoughts upon

his surroundings are concerned.

The first of these is the phase of youth, in which he takes certain

matured things for granted, and whether he realizes his illusion or no,

believes them to be eternal. This phase ends sharply with every man, by

the action of one blow. Some essence is dissolved, some binding cordage

snaps, or some one dies.

I say no matter how clearly the reason of a man tells him that all about

him is changeable, and that perfect and matured things and characters upon

whose perfection and maturity he reposes for his peace must disappear, his

attitude in youth towards those things is one of a complete security as

towards things eternal. For the young man, convinced as he is that his

youth and he himself are there for ever, sees in one lasting framework his

father's garden, his mother's face, the landscape from his windows, his

friendships, and even his life; the very details of food, of clothing,

and of lesser custom, all these are fixed for him. Fixed also are the

mature and perfect things. This aged friend, in whose excellent humour

and universal science he takes so continual a delight, is there for ever.

That considered judgment of mankind upon such and such a troubling matter,

of sex, of property, or of political right, is anchored or rooted in

eternity. There comes a day when by some one experience he is startled out

of that morning dream. It is not the first death, perhaps, that strikes

him, nor the first loss--no, not even, perhaps, the first discovery that

human affection also passes (though that should be for every man the

deepest lesson of all). What wakes him to the reality which is for some

dreadful, for others august, and for the faithful divine, is always an

accident. One death, one change, one loss, among so many, unseals his

judgment, and he sees thenceforward, nay, often from one particular moment

upon which he can put his finger, the doom which lies upon all things

whatsoever that live by a material change.

The second phase which he next enters is for a thoughtful man in a

sceptical and corrupted age the crucial phase, whereby will be determined,

not indeed the fate of his soul, but the justice, and therefore the

advantage to others, of his philosophy.

He has done with all illusions of permanence and repose. Henceforward he

sees for himself a definite end, and the road which used to lead over

the hills and to be lost beyond in the haze of summer plains now leads

directly to a visible place; that place is a cavern in the mountain side,

dark and without issue. He must die. Henceforward he expects the passing

of all to which he is attached, and he is braced against loss by something

lent to him which is to despair as an angel is to a demon; something in

the same category of emotion, but just and fortifying, instead of void

and vain and tempting and without an end. A man sees in this second phase

of his experience that he must lose. Oh, he does not lose in a gamble!

It is not a question of winning a stake or forfeiting it, as the vulgar

falsehood of commercial analogy would try to make our time believe. He

knows henceforward that there is no success, no final attainment of

desire, because there is no fixity in any material thing. As he sits at

table with the wisest and keenest of his time, especially with the old,

hearing true stories of the great men who came before him, looking at

well-painted pictures, admiring the proper printing of collected books,

and praising the just balance of some classical verse or music which

time has judged and made worthy, he so admires and enjoys with a full

consciousness that these things are flowing past him. He cannot rely; he

attempts no foothold. The equilibrium of his soul is only to be discovered

in marching and continually marching. He now knows that he must go onward,

he may not stand, for if he did he would fall. He must go forward and see

the river of things run by. He must go forward--but to what goal?

There is a third phase, in which (as the experience of twenty Christian

centuries determines) that goal also is discovered, and for some who so

discover it the experience of loss begins to possess a meaning.

What this third phase is I confess I do not know, and as I have not felt

it I cannot describe it, but when that third phase is used as I have

suggested a character of wisdom enters into those so using it; a character

of wisdom which is the nearest thing our dull time can show to inspiration

and to prophecy.

It is to be noted also that in this third phase of man's experience of

doom those who are not wise are most unwise indeed; and that where the age

of experience has not produced this sort of clear maturity in the spirit,

then it produces either despair or folly, or an exaggerated shirking of

reality, which, being a falsehood, is wickeder than despair, and far more

inhuman than mere foolishness. Thus those who in the third phase of which

I speak have not attained the wisdom which I here recognize will often

sink into a passion of avarice, accumulating wealth which they cannot

conceivably enjoy; a stupidity so manifest that every age of satire has

found it the most facile of commonplaces. Or, again, those who fail to

find wisdom in that last phase will constantly pretend an unreal world,

making plans for a future that cannot be there. So did a man eleven

years ago in the neighbourhood of Regent Street, for this man, being

eighty-seven years of age, wealthy, and wholly devoid of friends, or near

kindred, took a flat, but he insisted that the lease should be one of not

less than sixty years. In a hundred ways this last phase if it is degraded

is most degraded; and, though it is not worst, it is most sterile when it

falls to a mere regret for the past.

Now it is here that the opposite, the wisdoms of old age appears; for the

old, when they are wise, are able to point out to men and to women of

middle age what these least suspect, and can provide them with a good

medicine against the insecurity of the soul. The old in their wisdom can

tell those just beneath them this: that though all things human pass, all

bear their fruit. They can say: "You believe that such and such a woman,

with her courtesy, her travel, her sharp edge of judgment, her large

humanity, and her love of the comedy of the world, being dead can never be

replaced. There are, growing up around you, characters quite insufficient,

and to you, perhaps, contemptible, who will in their fruiting display all

these things." There never was, nor has been, a time (say those who are

acquainted with the great story of Europe) when Christendom has failed.

Out of dead passages there has sprung up suddenly, and quite miraculously,

whatever was thought to be lost. So it has been with our music, so with

the splendour of our armies, so with the fabric of our temples, so with

our deathless rhymes. The old, when they are wise, can do for men younger

than they what history does for the reader; but they can do it far more

poignantly, having expression in their eyes and the living tones of a

voice. It is their business to console the world.








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