
BELLOC-On Something - HOME
A child of four years old, having read of Fairyland and of the people in
it, asked only two days ago, in a very popular attitude of doubt, whether
there were any such place, and, if so, where it was; for she believed in
her heart that the whole thing was a pack of lies.
I was happy to be able to tell her that her scepticism, though well
founded, was extreme. The existence of Fairyland, I was able to point out
to her both by documentary evidence from books and also by calling in the
testimony of the aged, could not be doubted by any reasonable person. What
was really difficult was the way to get there. Indeed, so obviously true
was the existence of Fairyland, that every one in this world set out to go
there as a matter of course, but so difficult was it to find the way that
very few reached the place. Upon this the child very naturally asked me
what sort of way the way was and why it was so difficult.
"You must first understand," said I, "where Fairyland is: it lies a little
way farther than the farthest hill you can see. It lies, in fact, just
beyond that hill. The frontiers of it are sometimes a little doubtful in
any landscape, because the landscape is confused, but if on the extreme
limits of the horizon you see a long line of hills bounding your view
exactly, then you may be perfectly certain that on the other side of those
hills is Fairyland. There are times of the day and of the weather when the
sky over Fairyland can be clearly perceived, for it has a different colour
from any other kind of sky. That is where Fairyland is. It is not on an
island, as some have pretended, still less is it under the earth--a
ridiculous story, for there it is all dark."
"But how do you get there?" asked the child. "Do you get there by walking
to the hills and going over?"
"No," said I, "that is just the bother of it. Several people have thought
that that was the way of getting there; in fact, it looked plain common
sense, but there is a trick about it; when you get to the hills everything
changes, because the fairies have that power: the hills become ordinary,
the people living on them turn into people just like you and me, and then
when you get to the top of the hills, before you can say knife another
common country just like ours has been stuck on the other side. On this
account, through the power of the fairies, who hate particularly to be
disturbed, no one can reach Fairyland in so simple a way as by walking
towards it."
"Then," said the child to me, "I don't see how any one can get there"--for
this child had good brains and common sense.
"But," said I, "you must have read in stories of people who get to
Fairyland, and I think you will notice that in the stories written by
people who know anything about it (and you know how easily these are
distinguished from the others) there are always two ways of getting to
Fairyland, and only two: one is by mistake, and the other is by a spell.
In the first way to Fairyland is to lose your way, and this is one of the
best ways of getting there; but it is dangerous, because if you get there
that way you offend the fairies. It is better to get there by a spell.
But the inconvenience of that is that you are blindfolded so as not to be
allowed to remember the way there or back again. When you get there by a
spell, one of the people from Fairyland takes you in charge. They prefer
to do it when you are asleep, but they are quite game to do it at other
times if they think it worth their while.
"Why do they do it?" said the child.
"They do it," said I, "because it annoys the fairies very much to think
that people are stopping believing in them. They are very proud people,
and think a lot of themselves. They can, if they like, do us good, and
they think us ungrateful when we forget about them. Sometimes in the past
people have gone on forgetting about fairies more and more and more,
until at last they have stopped believing in them altogether. The fairies
meanwhile have been looking after their own affairs, and it is their fault
more than ours when we forget about them. But when this has gone on for
too long a time the fairies wake up and find out by a way they have that
men have stopped believing in them, and get very much annoyed. Then some
fairy proposes that a map of the way to Fairyland should be drawn up and
given to the people; but this is always voted down; and at last they make
up their minds to wake people up to Fairyland by going and visiting this
world, and by spells bringing several people into their kingdom and so
getting witnesses. For, as you can imagine, it is a most unpleasant thing
to be really important and for other people not to know it."
"Yes," said the child, who had had this unpleasant experience, and greatly
sympathized with the fairies when I explained how much they disliked it.
Then the child asked me again:
"Why do the fairies let us forget about them?"
"It is," said I, "because they get so excited about their own affairs.
Rather more than a hundred years ago, for instance, a war broke out in
Fairyland because the King of the Fairies, whose name is Oberon, and the
Queen of the Fairies, whose name is Titania, had asked the Trolls to
dinner. The Gnomes were very much annoyed at this, and the Elves still
more so, for the chief glory of the Elves was that being elfish got you to
know people; and it was universally admitted that the Trolls ought never
to be asked out, because they were trollish. King Oberon said that all
that was a wicked prejudice, and that the Trolls ought to be asked out to
dinner just as much as the Elves, in common justice. But his real reason
was that he was bored by the perpetual elfishness of the Elves, and wanted
to see the great ugly Trolls trying to behave like gentlemen for a change.
So the Trolls came and tied their napkins round their necks, and ate such
enormous quantities at dinner that King Oberon and his Queen almost died
of laughing. The Elves were frightfully jealous, and so the war began. And
while it was going on everybody in Earthland forgot more and more about
Fairyland, until at last some people went so far as to say, like you, that
Fairyland did not exist."
"I did not say so," said the child, "I only asked."
"But," I answered severely, "asking about such things is the beginning of
doubting them. Anyhow, the fairies woke up one fine day about the time
when your great-grandfather got married, to discover that they were not
believed in, so they patched up their quarrel and they sent fairies to
cast spells, and any amount of people began to be taken to Fairyland,
until at last every one was forced to believe their evidence and to say
that Fairyland existed."
"Were they glad?" said the child.
"Who?" said I; "the witnesses who were thus taken away and shown
Fairyland?"
"Yes," said the child. "They ought to have been glad."
"Well, they weren't!" said I. "They were as sick as dogs. Not one
of them but got into some dreadful trouble. From one his wife ran away,
another starved to death, a third killed himself, a fourth was drowned
and then burned upon the seashore, a fifth went mad (and so did several
others), and as for poverty, and all the misfortunes that go with it, it
simply rained upon the people who had been to Fairyland."
"Why?" said the child, greatly troubled.
"Ah!" said I, "that is what none of us know, but so it is, if they take
you to Fairyland you are in for a very bad business indeed. There is only
one way out of it."
"And what is that?" said the child, interested.
"Washing," said I, "washing in cold water. It has been proved over and
over again."
"Then," said the child happily, "they can take me to Fairyland as often as
they like, and I shall not be the worse for it, for I am washed in cold
water every day. What about the other way to Fairyland?"
"Oh that," said I, "that, I think, is much the best way; I've gone
there myself."
"Have you really?" said the child, now intensely interested. "That
is good! How often have you been there?"
"Oh I can't tell you," I said carelessly, "but at least eight times, and
perhaps more, and the dodge is, as I told you, to lose your way; only the
great trouble is that no one can lose his way on purpose. At first I used
to think that one had to follow signs. There was an omnibus going down the
King's Road which had 'To the World's End' painted on it. I got into this
one day, and after I had gone some miles I said to the man, 'When do we
get to the World's End?' 'Oh,' said he, 'you have passed it long ago,' and
he rang a little bell to make me get out. So it was a fraud. Another time
I saw another omnibus with the words, 'To the Monster,' and I got into
that, but I heard that it was only a sort of joke, and that though the
Monster was there all right, he was not in Fairyland. This omnibus went
through a very uninteresting part of London, and Fairyland was nowhere in
the neighbourhood. Another time in the country of France I came upon a
printed placard which said: 'The excursion will pass by the Seven Winds,
the Foolish Heath, and St. Martin under Heaven.' This time also I thought
I had got it, but when I looked at the date on the placard I saw that the
excursion had started several days before, so I missed it again. Another
time up in Scotland I saw a signpost on which there was, 'To the King's
House seven miles.' And some one had written underneath in pencil: 'And
to the Dragon's Cave eleven.' But nothing came of it. It was a false
lane. After that I gave up believing that one could get to Fairyland by
signposts or omnibuses, until one day, quite by mistake, I chanced on the
dodge of losing one's way."
"How is that done?" said the child.
"That is what no one can tell you," said I. "If people knew how it was
done everybody would do it, but the whole point of losing your way is that
you do it by mistake. You must be quite certain that you have not lost
your way or it is no good. You walk along, and you walk along, and you
wonder how long it will be before you get to the town, and then instead of
getting to the town at all, there you are in Fairyland."
"How do you know that you are in Fairyland?" said the little child.
"It depends how far you get in," said I. "If you get in far enough trees
and rocks change into men, rivers talk, and voices of people whom you
cannot see tell you all sorts of things in loud and clear tones close to
your ear. But if you only get a little way inside then you know that you
are there by a sort of wonderment. The things ought to be like the things
you see every day, but they are a little different, notably the trees.
It happened to me once in a town called Lanchester. A part of that
town (though no one would think of it to look at it) happens to be in
Fairyland. And there I was received by three fairies, who gave me supper
in an inn. And it happened to me once in the mountains and once it
happened to me at sea. I lost my way and came upon a beach which was in
Fairyland. Another time it happened to me between Goodwood and Upwaltham
in Sussex."
At this moment the child's nurse came in to take it away, so she came to
the point:
"How did you know you were in Fairyland?' she said doubtfully." Perhaps
you are making all this up."
"Nonsense!" I said reprovingly, "the only people who make things up are
little children, for they always tell lies. Grown-up people never tell
lies. Let me tell you that one always knows when one has been in Fairyland
by the feeling afterwards, and because it is impossible to find it again."
The child said, "Very well, I will believe you," but I could see from the
expression of her eyes that she was not wholly convinced, and that in the
bottom of her heart she does not believe there is any such place. She
will, however, if she can hang on another forty years, and then I shall
have my revenge.
In a garden which must, I think, lie somewhat apart and enclosed in one
of the valleys of central England, you came across the English grass in
summer beneath the shade of a tree; you were running, but your arms were
stretched before you in a sort of dance and balance as though you rather
belonged to the air and to the growing things about you and above you than
to the earth over which you passed; and you were not three years old.
As, in jest, this charming vision was recorded by a camera which some
guest had with him, a happy accident (designed, for all we know, by
whatever powers arrange such things, an accident of the instrument or of
the plate upon which your small, happy, advancing figure was recorded) so
chanced that your figure, when the picture was printed, shone all around
with light.
I cannot, as I look at it now before me and as I write these words,
express, however much I may seek for expression, how great a meaning
underlies that accident nor how full of fate and of reason and of
suggested truth that aureole grows as I gaze. Your innocence is beatified
by it, and takes on with majesty the glory which lies behind all
innocence, but which our eyes can never see. Your happiness seems in that
mist of light to be removed and permanent; the common world in which you
are moving passes, through this trick of the lens, into a stronger world
more apt for such a sight, and one in which I am half persuaded (as I
still look upon the picture) blessedness is not a rare adventure, but
something native and secure.
Little child, the trick which the camera has played means more and more as
I still watch your picture, for there is present in that light not only
blessedness, but holiness as well. The lightness of your movement and of
your poise (as though you were blown like a blossom along the tops of the
grass) is shone through, and your face, especially its ready and wondering
laughter, is inspired, as though the Light had filled it from within;
so that, looking thus, I look not on, but through. I say that in this
portrait which I treasure there is not only blessedness, but holiness as
well--holiness which is the cause of blessedness and which contains it,
and by which secretly all this world is sustained.
Now there is a third thing in your portrait, little child. That accident
of light, light all about you and shining through your face, is not only
blessed nor only holy, but it is also sacred, and with that thought there
returns to me as I look what always should return to man if he is to find
any stuff or profit in his consideration of divine things. In blessedness
there is joy for which here we are not made, so that we catch it only
in glimpses or in adumbrations. And in holiness, when we perceive it we
perceive something far off; it is that from which we came and to which
we should return; yet holiness is not a human thing. But things sacred--
things devoted to a purpose, things about which there lies an awful
necessity of sacrifice, things devoted and necessarily suffering some
doom--these are certainly of this world; that, indeed, all men know well
at last, and find it part of the business through which they needs must
pass. Human memories, since they are only memories; human attachments,
since they are offered up and end; great human fears and hopeless human
longings--these are sacred things attached to a victim and to a sacrifice;
and in this picture of yours, with the light so glorifying you all round,
no one can doubt who sees it but that the sacredness of human life will be
yours also; that is, you must learn how it is offered up to some end and
what a sacrifice is there.
I could wish, as I consider this, that the camera had played no such
trick, and had not revealed in that haze of awful meaning all that lies
beyond the nature of you, child. But it is a truth which is so revealed;
and we may not, upon a penalty more terrible than death, neglect any
ultimate truth concerning our mortal way.
Your feet, which now do not seem to press upon the lawn across which they
run, have to go more miles than you can dream of, through more places than
you could bear to hear, and they must be directed to a goal which will not
in your very young delight be mentioned before you, or of which, if it is
mentioned, you will not understand by name; and your little hands which
you bear before you with the little gesture of flying things, will grasp
most tightly that which can least remain and will attempt to fashion what
can never be completed, and will caress that which will not respond to
the caress. Your eyes, which are now so principally filled with innocence
that that bright quality drowns all the rest, will look upon so much of
deadly suffering and of misuse in men, that they will very early change
themselves in kind; and all your face, which now vaguely remembers nothing
but the early vision from which childhood proceeds, will grow drawn and
self-guarded, and will suffer some agonies, a few despairs, innumerable
fatigues, until it has become the face of a woman grown. Nor will this
sacred doom about you, which is that of all mankind, cease or grow less
or be mitigated in any way; it will increase as surely and as steadily
as increase the number of the years, until at last you will lay down the
daylight and the knowledge of day-lit things as gladly as now you wake
from sleep to see them.
For you are sacred, and all those elders about you, whose solemn demeanour
now and then startles you into a pretty perplexity which soon calls back
their smiles, have hearts only quite different from your quite careless
heart, because they have known the things to which, in the manner of
victims, they are consecrated.
All that by which we painfully may earn rectitude and a proper balance in
the conduct of our short affairs I must believe that you will practise;
and I must believe, as I look here into your face, seeing your confident
advance (as though you were flying out from your babyhood into young life
without any fear), that the virtues which now surround you in a crowd and
make a sort of court for you and are your angels every way, will go along
with you and will stand by you to the end. Even so, and the more so, you
will find (if you read this some years hence) how truly it is written. By
contrast with your demeanour, with your immortal hopes, and with your
pious efforts the world about you will seem darker and less secure with
every passing harvest, and in proportion as you remember the childhood
which has led me so to write of you, in proportion as you remember
gladness and innocence with its completed joy, in that proportion will
you find at least a breaking burden in the weight of this world.
Now you may say to me, little child (not now, but later on), to what
purpose is all this complaint, and why should you tell me these things?
It is because in the portrait before me the holiness, the blessedness, and
therefore the sacredness are apparent that I am writing as I do. For you
must know that there is a false way out and a seeming relief for the rack
of human affairs, and that this way is taken by many. Since you are sacred
do not take it, but bear the burden. It is the character of whatever is
sacred that it does not take that way; but, like a true victim, remains
to the end, ready to complete the sacrifice.
The way out is to forget that one is sacred, and this men and women do in
many ways. The most of them by way of treason. They betray. They break at
first uneasily, later easily, and at last unconsciously, the word which
each of us has passed before He was born in Paradise. All men and all
women are conscious of that word, for though their lips cannot frame it
here, and though the terms of the pledge are forgotten, the memory of its
obligation fills the mind. But there comes a day, and that soon in the
lives of many, when to break it once is to be much refreshed and to seem
to drop the burden; and in the second and the third time it is done, and
the fourth it is done more easily--until at last there is no more need
for a man or a woman to break that pledged word again and once again; it
is broken for good and for all. This is one most common way in which the
sacred quality is lost: the way of treason. Round about such as choose
this kind of relief grows a habit and an air of treason. They betray all
things at last, and even common friendship is at last no longer theirs.
The end of this false issue is despair.
Another way is to take refuge from ourselves in pleasures, and this is
easily done, not by the worse, but by the better sort; for there are some,
some few, who would never betray nor break their ancient word, but who,
seeing no meaning in a sacrifice nor in a burden, escape from it through
pleasure as through a drug, and this pleasure they find in all manner of
things, and always that spirit near them which would destroy their sacred
mark, persuades them that they are right, and that in such pursuits the
sacrifice is evaded. So some will steep themselves in rhyme, some in
landscapes, some in pictures, some in the watching of the complexity and
change of things, some in music, some in action, some in mere ease. It
seems as though the men and women who would thus forget their sacredness
are better loved and better warned than those who take the other path, for
they never forget certain gracious things which should be proper to the
mind, nor do they lose their friends. But that they have taken a wrong
path you may easily perceive from this sign: that these pleasures, like
any other drug, do not feed or satisfy, but must be increased with every
dose, and even so soon pall and are continued not because they are
pleasures any longer, but because, dull though they have become, without
them there is active pain.
Take neither the one path nor the other, but retain, I beseech you, when
the time comes, that quality of sacredness of which I speak, for there
is no alternative. Some trouble fell upon our race, and all of us must
take upon ourselves the business and the burden. If you will attempt any
way out at all it will but lead you to some worse thing. We have not all
choices before us, but only one of very few, and each of those few choices
is mortal, and all but one is evil.
You should remember this also, dear little child, that at the beginning--
oh, only at the very beginning of life--even your reason that God gave
may lead you wrong. For with those memories strong upon you of perfect
will, of clear intelligence, and of harmonious beauty all about, you will
believe the world in which you stand to be the world from which you have
come and to which you are also destined. You have but to treat this world
for but a very little while as though it were the thing you think it to
find it is not so.
Do you know that that which smells most strongly in this life of
immortality, and which a poet has called "the ultimate outpost of
eternity," is insecure and perishes? I mean the passionate affection of
early youth. If that does not remain, what then do you think can remain?
I tell you that nothing which you take to be permanent round about you
when you are very young is more than the symbol or clothes of permanence.
Another poet has written, speaking of the chalk hills:--
Only a little while remain
The Downs in their solemnity.
Nor is this saying forced. Men and women cannot attach themselves even to
the hills where they first played.
Some men, wise but unillumined, and not conscious of that light which I
here physically see shining all round and through you in the picture which
is before my eyes as I write, have said that to die young and to end the
business early was a great blessing. We do not know. But we do know that
to die long after and to have gone through the business must be blessed,
since blessedness and holiness and sacredness are bound together in one.
But, of these three, be certain that sacredness is your chief business,
blessedness after your first childhood you will never know, and holiness
you may only see as men see distant mountains lifted beyond a plain; it
cannot be your habitation. Sacredness, which is the mark of that purpose
whose heir is blessedness, whose end is holiness, will be upon you until
you die; maintain it, and let it be your chief concern, for though you
neglect it, it will remain and avenge itself.
All this I have seen in your picture as you go across the grass, and it
was an accident of the camera that did it. If any one shall say these
things do not attach to the portrait of a child, let him ask himself
whether they do not attach to the portrait that might be drawn, did human
skill suffice, of the life of a woman or a man which springs from the
demeanour of childhood; or let him ask himself whether, if a face in old
age and that same face in childhood were equally and as by a revelation
set down each in its full truth, and the growth of the one into the other
were interpreted by a profound intelligence, what I have said would not
be true of all that little passage of ours through the daylight.
There are three phases in the life of man, so far as his thoughts upon
his surroundings are concerned.
The first of these is the phase of youth, in which he takes certain
matured things for granted, and whether he realizes his illusion or no,
believes them to be eternal. This phase ends sharply with every man, by
the action of one blow. Some essence is dissolved, some binding cordage
snaps, or some one dies.
I say no matter how clearly the reason of a man tells him that all about
him is changeable, and that perfect and matured things and characters upon
whose perfection and maturity he reposes for his peace must disappear, his
attitude in youth towards those things is one of a complete security as
towards things eternal. For the young man, convinced as he is that his
youth and he himself are there for ever, sees in one lasting framework his
father's garden, his mother's face, the landscape from his windows, his
friendships, and even his life; the very details of food, of clothing,
and of lesser custom, all these are fixed for him. Fixed also are the
mature and perfect things. This aged friend, in whose excellent humour
and universal science he takes so continual a delight, is there for ever.
That considered judgment of mankind upon such and such a troubling matter,
of sex, of property, or of political right, is anchored or rooted in
eternity. There comes a day when by some one experience he is startled out
of that morning dream. It is not the first death, perhaps, that strikes
him, nor the first loss--no, not even, perhaps, the first discovery that
human affection also passes (though that should be for every man the
deepest lesson of all). What wakes him to the reality which is for some
dreadful, for others august, and for the faithful divine, is always an
accident. One death, one change, one loss, among so many, unseals his
judgment, and he sees thenceforward, nay, often from one particular moment
upon which he can put his finger, the doom which lies upon all things
whatsoever that live by a material change.
The second phase which he next enters is for a thoughtful man in a
sceptical and corrupted age the crucial phase, whereby will be determined,
not indeed the fate of his soul, but the justice, and therefore the
advantage to others, of his philosophy.
He has done with all illusions of permanence and repose. Henceforward he
sees for himself a definite end, and the road which used to lead over
the hills and to be lost beyond in the haze of summer plains now leads
directly to a visible place; that place is a cavern in the mountain side,
dark and without issue. He must die. Henceforward he expects the passing
of all to which he is attached, and he is braced against loss by something
lent to him which is to despair as an angel is to a demon; something in
the same category of emotion, but just and fortifying, instead of void
and vain and tempting and without an end. A man sees in this second phase
of his experience that he must lose. Oh, he does not lose in a gamble!
It is not a question of winning a stake or forfeiting it, as the vulgar
falsehood of commercial analogy would try to make our time believe. He
knows henceforward that there is no success, no final attainment of
desire, because there is no fixity in any material thing. As he sits at
table with the wisest and keenest of his time, especially with the old,
hearing true stories of the great men who came before him, looking at
well-painted pictures, admiring the proper printing of collected books,
and praising the just balance of some classical verse or music which
time has judged and made worthy, he so admires and enjoys with a full
consciousness that these things are flowing past him. He cannot rely; he
attempts no foothold. The equilibrium of his soul is only to be discovered
in marching and continually marching. He now knows that he must go onward,
he may not stand, for if he did he would fall. He must go forward and see
the river of things run by. He must go forward--but to what goal?
There is a third phase, in which (as the experience of twenty Christian
centuries determines) that goal also is discovered, and for some who so
discover it the experience of loss begins to possess a meaning.
What this third phase is I confess I do not know, and as I have not felt
it I cannot describe it, but when that third phase is used as I have
suggested a character of wisdom enters into those so using it; a character
of wisdom which is the nearest thing our dull time can show to inspiration
and to prophecy.
It is to be noted also that in this third phase of man's experience of
doom those who are not wise are most unwise indeed; and that where the age
of experience has not produced this sort of clear maturity in the spirit,
then it produces either despair or folly, or an exaggerated shirking of
reality, which, being a falsehood, is wickeder than despair, and far more
inhuman than mere foolishness. Thus those who in the third phase of which
I speak have not attained the wisdom which I here recognize will often
sink into a passion of avarice, accumulating wealth which they cannot
conceivably enjoy; a stupidity so manifest that every age of satire has
found it the most facile of commonplaces. Or, again, those who fail to
find wisdom in that last phase will constantly pretend an unreal world,
making plans for a future that cannot be there. So did a man eleven
years ago in the neighbourhood of Regent Street, for this man, being
eighty-seven years of age, wealthy, and wholly devoid of friends, or near
kindred, took a flat, but he insisted that the lease should be one of not
less than sixty years. In a hundred ways this last phase if it is degraded
is most degraded; and, though it is not worst, it is most sterile when it
falls to a mere regret for the past.
Now it is here that the opposite, the wisdoms of old age appears; for the
old, when they are wise, are able to point out to men and to women of
middle age what these least suspect, and can provide them with a good
medicine against the insecurity of the soul. The old in their wisdom can
tell those just beneath them this: that though all things human pass, all
bear their fruit. They can say: "You believe that such and such a woman,
with her courtesy, her travel, her sharp edge of judgment, her large
humanity, and her love of the comedy of the world, being dead can never be
replaced. There are, growing up around you, characters quite insufficient,
and to you, perhaps, contemptible, who will in their fruiting display all
these things." There never was, nor has been, a time (say those who are
acquainted with the great story of Europe) when Christendom has failed.
Out of dead passages there has sprung up suddenly, and quite miraculously,
whatever was thought to be lost. So it has been with our music, so with
the splendour of our armies, so with the fabric of our temples, so with
our deathless rhymes. The old, when they are wise, can do for men younger
than they what history does for the reader; but they can do it far more
poignantly, having expression in their eyes and the living tones of a
voice. It is their business to console the world.
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